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The Mother of an Actor

October, 2000

October, 2000, LOS ANGELES - I was en route to Dulles Airport in Washington, D.C., on my way home from my commission meeting when it happened. But I didn't learn of it until I landed back at LAX, in Los Angeles. Brad Altman, my business manager, informed me that my mother, Fumiko Emily Takei, had been rushed to the hospital and undergone emergency surgery.

I raced directly to the hospital. I was told that she had just come out of the operating room and was now in the intensive care ward. They said I was allowed to see her. I went in expecting the worst but I was still shaken when I saw Mama. My mother had tubes coming out of every part of her body - from her nose, through her mouth, from her stomach and so many from her thin, shriveled arms. Her half lidded eyes were dim and unseeing. It was devastating to see Mama like that.

The doctor told me that she had a perforation in her stomach through which gastric acid and blood were pouring into her abdomen causing her excruciating pain. If she hadn't been brought to the hospital in time, he said, it could have been fatal. I asked for her prognosis but he would not venture anything -- only that they would monitor the situation and go in 24-hour increments. That weekend at the hospital was to be the most harrowing of my life. Finally, on Monday, they told me that she had survived the surgery and that there was guarded expectation of a slow recovery.

We had such happy plans for her. The following week, on September 29, she was to have turned 88 years old and we had a gala birthday party scheduled for her at the Japanese American National Museum. Forty of her friends and relatives were to have gathered from near and as far away as Toronto, Canada, to help her celebrate this special birthday. All that now had to be postponed. Mama turned 88 in a hospital room with masses of life-sustaining tubes connected to her small body. But she did have a bevy of flowers and lots of get well cards surrounding her.

Mama has been living with me for the past two years. I moved her from the house in which she had been living for almost fifty years, the house she had shared with my father for thirty years until his death in 1979, the house in which I grew up. It was a house so filled with life memories. But she had to be moved from there into my house because she was in the early stages of Alzheimer's disease. She was forgetting to take her medication, the cause of her first hospitalization. At my house, her care would be better monitored. I have a caregiver and my trusted business manager and friend, Brad, to help me out. At first, Mama thrived in my home.

But I began to sense some strange behaviors from Mama. She complained constantly of dust in the house. I was puzzled. My housekeeper keeps my home immaculate. I'd run my finger over the furniture to show her that there was no dust. Still, she complained. She habitually placed paper napkins over exposed food in the house, saying it's to protect them from the dust. Some mornings, she said that she'd wake up with a coat of dust on her face. So, I went into her room the next morning and woke her up by running my hand over her face. "See Mama," I pointed out to her. "There's no dust on your face." Yet, she would not stop. Her dust complaints were ceaseless and it was getting irritating. Then it dawned on me. When we were in the internment camp at Tule Lake during the war, I remembered dust everywhere. The cold wind blew the hard, gritty dust in through the spaces in the floorboard and through the knotholes into our flimsy barrack rooms. The mess hall where we took our meals always covered exposed food to protect them from the dust. Dust was a constant, relentless problem in camp. Mama, I realized, was reverting back to our days of incarceration in that World War II internment camp. It was heartbreaking.

But there were also times of joy and sharing. I used to take my mother on daily walks around the neighborhood. I'd point out the new flowers that had bloomed or the billowy white clouds up in the sky. And she would point out a great, old pine tree and tell me that it was a giant "bonsai." Once she told me of the time when I was a toddler and she used to take me out for walks. My favorite ways of teasing her, she said, was my running away from her and, when she tried to chase after me, I would run farther away giggling with great glee. These experiences from only a month ago before her hospitalization now seem like stories out of some distant past.

Mama came back from the hospital last Wednesday. Her scar from the surgery is healing steadily. But the trauma of the operation had dramatically altered her mental condition. It seems as though there is a new person inhabiting my Mama every twelve hours. At times, she adamantly refuses to talk - only a nod or a shake of the head, only a demanding point to things she wants. Then there are times when she is as charming as a coquettish little girl followed by other times when she is as feisty and combative as a bad drunk.

I savor the small joys when and where I can find them -- like this morning at breakfast. She was looking sleepy so I put my brightly smiling face right in front of her. She promptly mimicked my beaming face. Then I put on an expression of surprise and she immediately put on an exaggerated look of astonishment. When I frowned, she frowned. We spent breakfast time mugging and laughing. She is truly the mother of an actor.

I'm hoping that her return from the hospital to known surroundings and familiar patterns will help slow down the inevitable and relentless process of her disease. But I also know that I'm saying many good-byes every day to the Mama that I had.

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Each message is signed on behalf of Scotland.

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Katy Perry, P!nk, Paul McCartney And More Sign Letter Threatening To Boycott SiriusXM Radio
Photos by John Shearer-Direct Management-Christopher Polk-Gary Gershoff-WireImage

Hundreds of artists have signed a letter threatening a boycott if SiriusXM's parent company, Liberty Media, doesn't back down from opposing the Music Modernization Act.

The act, which was expected to pass through Congress, streamlines royalty payments in the new age of digital technology, but it seems SiriusXM is objecting to a small section that would have the satellite radio company paying royalties on recordings dating before 1972.

That's a whole lot of songs and a whole lot of money the company is hoping to skip out on paying, but not if stars like Paul McCartney, P!nk, Stevie Nicks, Sia, Carly Simon, Gloria Estefan, Mick Fleetwood, Don Henley, Max Martin, and Katy Perry can help it.

The letter read, in part:

I'm writing you with grave concern about SiriusXM's opposition to the Music Modernization Act (Classics Act included).

We are all aware of your company's objections and trepidation but let me say that this is an opportunity for SiriusXM to take a leadership position. As you are aware, 415 Representatives and 76 Senators have already cosponsored the MMA along with industry consensus. It's SiriusXM vs all of us. We can either fight to the bitter end or celebrate this victory together. Rather than watch bad press and ill will pile up against SiriusXM, why not come out supporting the most consequential music legislation in 109 years? We do not want to fight and boycott your company but we will as we have other opponents. Stand with us! Be brave and take credit for being the heroes who helped the MMA become historic law! Momentum is building against SiriusXM and you still have an opportunity to come out on the right side of history. We look forward to your endorsement but the fire is burning and only you can put this out.

SiriusXM resoponded with a letter of their own:

Over the past several weeks, we have been the subject of some stinging attacks from the music community and artists regarding our views on the Music Modernization Act. Contrary to new reports and letters, this is really not about a SiriusXM victory, but implementing some simple, reasonable and straightforward amendments to MMA. There is nothing in our "asks" that gut the MMA or kills the Act. So let's talk about the substance of the amendments we propose, because we truly do not understand the objections or why these concepts have incited such a holy war.ontrary to the accusations, SiriusXM has proposed three simple amendments to the MMA.

First, SiriusXM has asked that the CLASSICS Act recognize that it has already licensed all of the pre-1972 works it uses. This amendment would ensure that artists – the people who are supposed to be at the heart of the MMA – receive 50% of the monies under those existing licenses. Is that unfair? Just today, Neil Diamond wrote in the LA Times that: "I receive a small amount of songwriting royalties, but no royalties as the recording artist." How can that happen? To date, SiriusXM has paid nearly $250 million dollars in pre-'72 royalties to the record labels. We want to make sure that a fair share of the monies we have paid, and will pay, under these licenses gets to performers. Without this provision, artists may never see any of the money SiriusXM paid, and will pay, for the use of pre-1972 works. Artists not getting paid hurts our business!

Second, Sirius XM thinks that the fair standard to use in rate setting proceedings is the standard that Congress chose in 1995 and confirmed again in 1998 – which is called the 801(b) standard. However, we are willing to move the "willing buyer/willing seller" standard contained in the MMA. In exchange, we have asked for the same concession that the MMA grants to other digital music services, but we were left out of — simply that the rates that were set last year for five years now apply for ten years. We thought this was a fair compromise when we read the "new" MMA that was released this weekend by the Senate, and are willing to live by that compromise.

Third, SiriusXM is asking the simple question: "Why are we changing the rate court evidence standard for musical compositions in this legislation so that it gives another advantage to broadcasters over satellite radio and streaming services?" There is no policy rationale for this change to tilt the playing field further in their favor, and frankly no one has been able to explain it to us. It is only fair that we debate why the change to Section 114(i) is in the MMA.

Did you all catch that? It sounds like lawyer speak for "we don't really want to say where we stand."

media.giphy.com

It seems all the letters were for naught. The Music Modernization Act passed in the U.S. Senate.




It was time to celebrate and dance in the streets.









As the saying goes, honest pay for honest work.

media.giphy.com


H/T: Variety, Spin

Some Residents Of Uranus, Missouri Are Not Happy About The Name Of Their New Local Newspaper 😆
CBS Philly/YouTube, @ShirtlessKirk/Twitter

There's nothing like a good pun about human anatomy. Really gets the juices flowing!


Owners of the new Uranus Examiner must have been snickering as they announced the paper's name. Apparently, it's caused quite the controversy in the small town of Uranus, Missouri, over the last few days.

Residents are divided over whether the pun is an embarrassment or perfectly snarky:


Folks on the internet responded with maturity and composure after learning about the Uranus Examiner.

Oh, wait. No they didn't.





If you think about it... there might actually be a method to the madness here. The brand new paper's name has received widespread media coverage over this past week. Simply put... everyone's talking about Uranus.

In terms of publicizing their new venture, the owners of the Uranus Examiner have actually done a pretty sweet job!


In the video above, a woman suggests the paper should have been called "The Pulaski County Examiner."

If you ask me, that's TOTALLY BORING, and wouldn't have generated as much interest and publicity for the paper. So while the name might be cringeworthy to some, you can bet Uranus that it'll stick around. Who knows, Uranus might even grow as a result!

H/T: Indy100, The Kansas City Star