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Summer at the Hollywood Bowl

September, 2001

September, 2001, LOS ANGELES - People say that Los Angeles has no seasons - that there are no markings of the passage of time as the pages of the calendar turn. Although it's true that we don't have snow in winter and much changing of foliage in autumn, we have a delightful reminder of the arrival of summer. That's when the Hollywood Bowl season begins.

What could be a more enchanting announcement of the start of summertime than an evening outdoor concert at the Bowl. As the day's heat begins to cool down, we settle down in our seats, open up the picnic basket and uncork the wine bottles. As the sky darkens and stars begin sparkling against its dark velvet backdrop, the Hollywood Bowl Orchestra strikes up the overture and the hills of Hollywood resound with glorious music. That's when we know that summer has definitely arrived in Los Angeles.

Two weeks ago, a banker friend and fellow trustee of the Japanese American National Museum, Tom Decker and his charming wife Denise invited me as their guest to their box for an evening of Leonard Bernstein and Johannes Brahms at the Bowl. The soloist was a gifted young violinist, Joshua Bell.

The conductor was the vivacious stylist, Keri-Lynn Wilson. The program began with Bernstein's "Candide" and moved on to his popular, "West Side Story." Joshua Bell's violin rendition of "Maria" was as mellow and rich as the California pinot noir that I was sipping. The second half of the evening was Brahms who took us on a musical journey a century back to classical old Germany. His "Symphony No. 2 in D Major" began as softly, as lyrically as fine chardonnay and ended as bubbly as the effervescence of champagne. It was an intoxicating evening under the stars, musically as well as by the fine produce of California's legendary Napa Valley. I was not driving that evening.

The boxes at the Hollywood Bowl are enormously difficult to get. They have literally become family heirlooms passed in wills from one generation to the next. Fortunately, I have a friend whose family has a box that they do not use for every concert. So, at the beginning of a season, I look over the schedule and buy through him, certain nights in his family box. I donate some of my nights to a few of my favorite charities as fund-raising auction items. In a couple of weeks I have my guests from the East West Players fund raiser for an evening of music from Broadway and Hollywood with the Hollywood Bowl Orchestra conducted by John Mauceri. This night always ends spectacularly with fireworks lighting up the summer night sky.

I remember when my parents first took me as a kid to the Hollywood Bowl. It was a pageant of California history. As darkness descended, we heard a trumpet call from a distant hill and Spanish conquistadors on horseback appeared over the hill with their troops carrying multi-colored flags. Then, spotlights suddenly shone on the opposite hill picking out a tribe of Indians. They came down the hills and met on stage to sign a peace pact. This was followed by the arrival of Father Serra and the Jesuit missionaries and a California mission magically rose up before us. Spectacular battle scenes between the Mexicans and Americanos, as well as a panorama of a devastating earthquake, were staged right before our enthralled eyes. The spectacle was brought to the point of the introduction of movies to the then rustic farm town called Hollywood. It was a thrilling and unforgettable introduction to the magic of a summer evening at the Hollywood Bowl.

As a teenager, I used to go on dates in the upper tiers of the Bowl. We took our sandwiches, fruits and soda pops huffing and puffing up the hillside to our lofty perches and looked down on the miniature orchestra playing in the tiny bowl in the distance below. It was a cheap date but the music was the same fabulous sound as that heard down in the pricey and remote boxes in the distance. As a matter of fact, I know that some of my friends sneaked in from the street above the Bowl, hid up in the trees and enjoyed the concerts for free.

Now I enjoy the concerts from the comfort and opulence of the very boxes I used to peer down on so wistfully. When Walt Disney's animated feature film, "Mulan," in which I was the voice of the Great Ancestor, had its gala premiere, it was there at the Hollywood Bowl. The opening was an extravagant affair. A gourmet picnic buffet was followed by a spectacular stage review of popular Disney animated films with a cast of a hundred dancers and singers. Then a gigantic screen appeared on stage and the premiere screening of "Mulan" began. Very appropriately for the Great Ancestor, I was ensconced in a great box smack dab in the center of the prime section down by the stage. The premiere finished with a dazzling fireworks display that had us arching our heads back to see the explosive spectacle. At the Hollywood Bowl, as we succeed in life, we don't go up, we go downward. We go down to our boxes right near the orchestra for gourmet food, fine wine and glorious music under the summer night sky. The Hollywood Bowl not only marks the passage of our seasons, it's our southern Californian summer rites of passage.

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Each message is signed on behalf of Scotland.

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Katy Perry, P!nk, Paul McCartney And More Sign Letter Threatening To Boycott SiriusXM Radio
Photos by John Shearer-Direct Management-Christopher Polk-Gary Gershoff-WireImage

Hundreds of artists have signed a letter threatening a boycott if SiriusXM's parent company, Liberty Media, doesn't back down from opposing the Music Modernization Act.

The act, which was expected to pass through Congress, streamlines royalty payments in the new age of digital technology, but it seems SiriusXM is objecting to a small section that would have the satellite radio company paying royalties on recordings dating before 1972.

That's a whole lot of songs and a whole lot of money the company is hoping to skip out on paying, but not if stars like Paul McCartney, P!nk, Stevie Nicks, Sia, Carly Simon, Gloria Estefan, Mick Fleetwood, Don Henley, Max Martin, and Katy Perry can help it.

The letter read, in part:

I'm writing you with grave concern about SiriusXM's opposition to the Music Modernization Act (Classics Act included).

We are all aware of your company's objections and trepidation but let me say that this is an opportunity for SiriusXM to take a leadership position. As you are aware, 415 Representatives and 76 Senators have already cosponsored the MMA along with industry consensus. It's SiriusXM vs all of us. We can either fight to the bitter end or celebrate this victory together. Rather than watch bad press and ill will pile up against SiriusXM, why not come out supporting the most consequential music legislation in 109 years? We do not want to fight and boycott your company but we will as we have other opponents. Stand with us! Be brave and take credit for being the heroes who helped the MMA become historic law! Momentum is building against SiriusXM and you still have an opportunity to come out on the right side of history. We look forward to your endorsement but the fire is burning and only you can put this out.

SiriusXM resoponded with a letter of their own:

Over the past several weeks, we have been the subject of some stinging attacks from the music community and artists regarding our views on the Music Modernization Act. Contrary to new reports and letters, this is really not about a SiriusXM victory, but implementing some simple, reasonable and straightforward amendments to MMA. There is nothing in our "asks" that gut the MMA or kills the Act. So let's talk about the substance of the amendments we propose, because we truly do not understand the objections or why these concepts have incited such a holy war.ontrary to the accusations, SiriusXM has proposed three simple amendments to the MMA.

First, SiriusXM has asked that the CLASSICS Act recognize that it has already licensed all of the pre-1972 works it uses. This amendment would ensure that artists – the people who are supposed to be at the heart of the MMA – receive 50% of the monies under those existing licenses. Is that unfair? Just today, Neil Diamond wrote in the LA Times that: "I receive a small amount of songwriting royalties, but no royalties as the recording artist." How can that happen? To date, SiriusXM has paid nearly $250 million dollars in pre-'72 royalties to the record labels. We want to make sure that a fair share of the monies we have paid, and will pay, under these licenses gets to performers. Without this provision, artists may never see any of the money SiriusXM paid, and will pay, for the use of pre-1972 works. Artists not getting paid hurts our business!

Second, Sirius XM thinks that the fair standard to use in rate setting proceedings is the standard that Congress chose in 1995 and confirmed again in 1998 – which is called the 801(b) standard. However, we are willing to move the "willing buyer/willing seller" standard contained in the MMA. In exchange, we have asked for the same concession that the MMA grants to other digital music services, but we were left out of — simply that the rates that were set last year for five years now apply for ten years. We thought this was a fair compromise when we read the "new" MMA that was released this weekend by the Senate, and are willing to live by that compromise.

Third, SiriusXM is asking the simple question: "Why are we changing the rate court evidence standard for musical compositions in this legislation so that it gives another advantage to broadcasters over satellite radio and streaming services?" There is no policy rationale for this change to tilt the playing field further in their favor, and frankly no one has been able to explain it to us. It is only fair that we debate why the change to Section 114(i) is in the MMA.

Did you all catch that? It sounds like lawyer speak for "we don't really want to say where we stand."

media.giphy.com

It seems all the letters were for naught. The Music Modernization Act passed in the U.S. Senate.




It was time to celebrate and dance in the streets.









As the saying goes, honest pay for honest work.

media.giphy.com


H/T: Variety, Spin

Some Residents Of Uranus, Missouri Are Not Happy About The Name Of Their New Local Newspaper 😆
CBS Philly/YouTube, @ShirtlessKirk/Twitter

There's nothing like a good pun about human anatomy. Really gets the juices flowing!


Owners of the new Uranus Examiner must have been snickering as they announced the paper's name. Apparently, it's caused quite the controversy in the small town of Uranus, Missouri, over the last few days.

Residents are divided over whether the pun is an embarrassment or perfectly snarky:


Folks on the internet responded with maturity and composure after learning about the Uranus Examiner.

Oh, wait. No they didn't.





If you think about it... there might actually be a method to the madness here. The brand new paper's name has received widespread media coverage over this past week. Simply put... everyone's talking about Uranus.

In terms of publicizing their new venture, the owners of the Uranus Examiner have actually done a pretty sweet job!


In the video above, a woman suggests the paper should have been called "The Pulaski County Examiner."

If you ask me, that's TOTALLY BORING, and wouldn't have generated as much interest and publicity for the paper. So while the name might be cringeworthy to some, you can bet Uranus that it'll stick around. Who knows, Uranus might even grow as a result!

H/T: Indy100, The Kansas City Star