Top Stories

Our Human Linkage

September, 1999

September, 1999, ATLANTA — Last month I marveled at the myriad ways in which we are now interconnected technologically -- satellite communication, supersonic transportation and the internet (see "What's New" for August). On a recent trip to Atlanta I experienced the substance of our human interconnectedness more profoundly than I have ever felt before.

As a trustee of the Japanese American National Museum, I flew to Atlanta for the opening of two of our traveling exhibits, "America's Concentration Camps" and "Witness: Our Brothers' Keepers."

"America's Concentration Camps" is an exhibit on a dark chapter of American history that is also a story of my early boyhood. When I was 4 years old, Japan bombed Pearl Harbor and the U.S. was plunged into the fires of World War II. Our nation -- despite its ideals -- failed to draw the distinction between the imperialism of Japan and the citizenship of Americans of Japanese ancestry. With no charges and no trial, but simply based on race, Japanese Americans were forcibly rounded up from our homes on the West Coast and herded into 10 barbed wire camps in some of the most god-forsaken parts of the country.

As detailed in my autobiography To the Stars, I was taken with my family from our home in Los Angeles to a camp in the swamps of Arkansas. A year later we were moved to a desolate, wind-swept dry lakebed in northern California near the Oregon border. Four years of my childhood were spent confined behind the barbed wire fences of American concentration camps. Not until the end of the war did we return to Los Angeles.

For my parents, it was the most horrific experience of their lives. Everything was lost — property, business and, most of all, freedom. As astonishing as this story may seem to many Americans, it did happen right here in this country. The "America's Concentration Camps" exhibit had closed at the Ellis Island Museum in New York after a year-long run and opened in August at Atlanta's William Breman Jewish Heritage Museum.

A second exhibit, "Witness: Our Brothers' Keepers," is another extraordinary story with an ironic linkage with the Jewish community. Despite the incarceration of their families, an amazing number of young Japanese American men and women put on the uniforms of the U.S. military and fought with uncommon valor in both the European and Pacific theaters of the war. The all-Japanese American, 442nd Regimental Combat Team returned from the battlefields of Europe as the single most decorated American military outfit.

A strange irony of this war, however, is that another Japanese American outfit, the 522nd Field Artillery Battalion, forced open the gates to Dachau, the Nazi death camp that held Jewish, Gypsy and homosexual inmates from throughout Europe. While their own families were confined behind American barbed wire fences, these Japanese American soldiers were liberating the prisoners of the Nazis from their barbed wire incarceration. Certainly, the American concentration camps came nowhere close to the grotesque horrors the Japanese American soldiers found in the Nazi death camps. Providentially, there was no American policy of systematic elimination of people. But these Japanese American soldiers undoubtedly felt some poignancy in their linkage with the Jewish prisoners.

I certainly felt this linkage as I mingled among the people gathered for the opening of the exhibits at the Breman Jewish Heritage Museum. After the formal program where I shared the stage with Daniel Inouye, the war hero and U.S. Senator from Hawaii, my duty was to informally impart some of my childhood memories with the people in attendance as I moved among the exhibits. I found myself in turn deeply moved and enlightened by the stories that the Jewish people there shared with me of relatives lost to the Nazi holocaust. There is a horrific difference of degree in our stories but the lesson to be learned from both our histories is a common one. Bigotry combined with hysteria is the hideous ingredient of massive injustice.

This very same lesson was underscored the following day on a visit to the Dr. Martin Luther King Jr. Memorial in Atlanta, an important landmark of the American civil rights movement. Dr. King's birthplace is there, as is the Ebinezer Baptist Church where he, his father and his grandfather preached. His marble tomb rests on an island in the middle of a calm reflecting pool. Across the street is a museum of Dr. King's life and the civil rights movement.

As I moved through the exhibits, I was struck again by our interconnectedness. Bigotry takes on many forms. It manifests itself in different ways. Dr. King and the civil rights movement challenged the stony face of institutionalized bigotry. But he also confronted the bigotry and violence of his own people -- the rage that rises out of abject despair. His courage in facing down both the Black Panthers as well as a Sheriff "Bull" Connors, the personifications of racism in both races, was profoundly inspiring. He refused to be lowered to the depths of any bigot -- black or white. He was a firm apostle of non-violent social change.

I remembered a long ago day in the 60s, when I met Dr. King. I was performing in a civil rights musical titled "Fly Blackbird" in Los Angeles. The cast was asked to sing a few numbers from the show at a huge rally where Dr. King was to be the main speaker. It was a massive gathering at the L. A. Sports Arena. When he spoke, Dr. King's words connected mightily. He transported the crowd with his soaring eloquence. It was after this speech that we were escorted to Dr. King's dressing room. I will never forget this meeting. I remember taking his proffered hand. I remember the thrill of the human connection with an extraordinary man. Through his touch, I felt somehow linked to his ideals, his vision and his courage. It was this linkage that surely strengthened my participation in the civil rights movement. It was certainly this inspiration that galvanized me toward the movement to gain redress for Japanese Americans for our incarceration during World War II. It was his faith in the power of the American system and its ideals that invigorated me. And in 1988 -- more than four decades late, but ultimately nevertheless, this nation acknowledged its terrible mistake and Congress passed the redress bill for the wartime incarceration of Japanese Americans. Dr. King's spirit was there with me in this struggle as well.

Our lives and our communities are not separate. We are inextricably interlinked. What happens to one group impacts another. Yes, we may live in an amazing technologically interconnected world. But ultimately, what gives substance to the technology is our human interconnection.

Scotland Tackles Transphobia and Homophobia In Brilliant New Billboard Ads ❤️
(OneScotland)

The Scottish government has had enough of hate crimes and is moving forward with a gutsy campaign.

According to Pink News, Scotland is launching a new initiative to combat intolerance with messages respectively addressing "bigots," "disablists," "homophobes," "racists," and "transphobes" in a series of ads circulating across the country.

Each message is signed on behalf of Scotland.

Keep reading... Show less
Feminists Slam Man Telling Them They Can't Have Both Chivalry And Equality
(GettyImages)

A man on Twitter informed feminists they had to choose between chivalry and equality.

He was promptly raked over the coals for even assuming an antiquated concept would be considered as a viable option.

Keep reading... Show less
Katy Perry, P!nk, Paul McCartney And More Sign Letter Threatening To Boycott SiriusXM Radio
Photos by John Shearer-Direct Management-Christopher Polk-Gary Gershoff-WireImage

Hundreds of artists have signed a letter threatening a boycott if SiriusXM's parent company, Liberty Media, doesn't back down from opposing the Music Modernization Act.

The act, which was expected to pass through Congress, streamlines royalty payments in the new age of digital technology, but it seems SiriusXM is objecting to a small section that would have the satellite radio company paying royalties on recordings dating before 1972.

That's a whole lot of songs and a whole lot of money the company is hoping to skip out on paying, but not if stars like Paul McCartney, P!nk, Stevie Nicks, Sia, Carly Simon, Gloria Estefan, Mick Fleetwood, Don Henley, Max Martin, and Katy Perry can help it.

The letter read, in part:

I'm writing you with grave concern about SiriusXM's opposition to the Music Modernization Act (Classics Act included).

We are all aware of your company's objections and trepidation but let me say that this is an opportunity for SiriusXM to take a leadership position. As you are aware, 415 Representatives and 76 Senators have already cosponsored the MMA along with industry consensus. It's SiriusXM vs all of us. We can either fight to the bitter end or celebrate this victory together. Rather than watch bad press and ill will pile up against SiriusXM, why not come out supporting the most consequential music legislation in 109 years? We do not want to fight and boycott your company but we will as we have other opponents. Stand with us! Be brave and take credit for being the heroes who helped the MMA become historic law! Momentum is building against SiriusXM and you still have an opportunity to come out on the right side of history. We look forward to your endorsement but the fire is burning and only you can put this out.

SiriusXM resoponded with a letter of their own:

Over the past several weeks, we have been the subject of some stinging attacks from the music community and artists regarding our views on the Music Modernization Act. Contrary to new reports and letters, this is really not about a SiriusXM victory, but implementing some simple, reasonable and straightforward amendments to MMA. There is nothing in our "asks" that gut the MMA or kills the Act. So let's talk about the substance of the amendments we propose, because we truly do not understand the objections or why these concepts have incited such a holy war.ontrary to the accusations, SiriusXM has proposed three simple amendments to the MMA.

First, SiriusXM has asked that the CLASSICS Act recognize that it has already licensed all of the pre-1972 works it uses. This amendment would ensure that artists – the people who are supposed to be at the heart of the MMA – receive 50% of the monies under those existing licenses. Is that unfair? Just today, Neil Diamond wrote in the LA Times that: "I receive a small amount of songwriting royalties, but no royalties as the recording artist." How can that happen? To date, SiriusXM has paid nearly $250 million dollars in pre-'72 royalties to the record labels. We want to make sure that a fair share of the monies we have paid, and will pay, under these licenses gets to performers. Without this provision, artists may never see any of the money SiriusXM paid, and will pay, for the use of pre-1972 works. Artists not getting paid hurts our business!

Second, Sirius XM thinks that the fair standard to use in rate setting proceedings is the standard that Congress chose in 1995 and confirmed again in 1998 – which is called the 801(b) standard. However, we are willing to move the "willing buyer/willing seller" standard contained in the MMA. In exchange, we have asked for the same concession that the MMA grants to other digital music services, but we were left out of — simply that the rates that were set last year for five years now apply for ten years. We thought this was a fair compromise when we read the "new" MMA that was released this weekend by the Senate, and are willing to live by that compromise.

Third, SiriusXM is asking the simple question: "Why are we changing the rate court evidence standard for musical compositions in this legislation so that it gives another advantage to broadcasters over satellite radio and streaming services?" There is no policy rationale for this change to tilt the playing field further in their favor, and frankly no one has been able to explain it to us. It is only fair that we debate why the change to Section 114(i) is in the MMA.

Did you all catch that? It sounds like lawyer speak for "we don't really want to say where we stand."

media.giphy.com

It seems all the letters were for naught. The Music Modernization Act passed in the U.S. Senate.




It was time to celebrate and dance in the streets.









As the saying goes, honest pay for honest work.

media.giphy.com


H/T: Variety, Spin

Some Residents Of Uranus, Missouri Are Not Happy About The Name Of Their New Local Newspaper 😆
CBS Philly/YouTube, @ShirtlessKirk/Twitter

There's nothing like a good pun about human anatomy. Really gets the juices flowing!


Owners of the new Uranus Examiner must have been snickering as they announced the paper's name. Apparently, it's caused quite the controversy in the small town of Uranus, Missouri, over the last few days.

Residents are divided over whether the pun is an embarrassment or perfectly snarky:


Folks on the internet responded with maturity and composure after learning about the Uranus Examiner.

Oh, wait. No they didn't.





If you think about it... there might actually be a method to the madness here. The brand new paper's name has received widespread media coverage over this past week. Simply put... everyone's talking about Uranus.

In terms of publicizing their new venture, the owners of the Uranus Examiner have actually done a pretty sweet job!


In the video above, a woman suggests the paper should have been called "The Pulaski County Examiner."

If you ask me, that's TOTALLY BORING, and wouldn't have generated as much interest and publicity for the paper. So while the name might be cringeworthy to some, you can bet Uranus that it'll stick around. Who knows, Uranus might even grow as a result!

H/T: Indy100, The Kansas City Star