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Millennium Musings

December, 1999

December, 1999, LOS ANGELES, CA - Does the year seem to speed by as fast for you as it does for me? 1999 literally seems to have gone at warp speed. Here it is December already! Not only the end of the year but almost the century and the millennium as well. It's exhausting just to think of it -- much less recount all that has happened in the last twelve months.

January began for me with a celebratory splash. I was privileged to serve as the master of ceremonies of the gala festivities that go with the opening of a spectacular new building, the Pavilion of the Japanese American National Museum in Los Angeles. It is an 85,000-square-foot expansion building of the museum on whose board of trustees I had been serving for the last thirteen years. The opening exhibit called "Common Ground" is on all that we share and that interlinks us as Americans in a pluralistic nation. Of interest to Star Trek fans is the fact that the exhibit includes the Captain Sulu uniform that I wore in the motion picture, Star Trek VI: The Undiscovered Country.

That theme of common ground was extended on to the international scene in February. I serve on a federal commission called the Japan-United States Friendship Commission. The U.S. commissioners joined with our Japanese counterparts in a joint meeting, the Japan-U.S. Conference on Cultural and Educational Interchange, called CULCON for short, in Tokyo and later, Naha, Okinawa. Our mission, in short, is to deepen mutual understanding through culture and education. I proposed that our next joint meeting, to be held in the year 2001, be convened in Los Angeles with the venue to be the Japanese American National Museum. The unanimous approval was great, but that is going to mean a lot of work for me, as well as the staffs of both the commission and the museum, preparing for this important bi-annual, bi-national conference. We're going to make this the best conference yet since President John Kennedy initiated these exchanges during his administration. And it is a wonderful opportunity to show off our museum and my hometown as well. After the conference in Okinawa, I toured Hiroshima and the ancient capital of Japan, Kyoto. The trip was for me a personally enriching cultural and educational experience.

The year was crammed with speaking engagements at universities, corporate meetings and other gatherings that had me trekking all over the country from one coast to the other, from the Canadian to the Mexican border. I can't tell you how earnestly I pray for the early development of the transporter when I'll be able to just sparkle for a few seconds and simply "beam" over to whatever destination.

In all my travels in 1999, I had the most fun participating in the "Fab Four" Star Trek conventions organized by empresarios extraordinaire, Dave and Jackie Scott. It has been wonderful sharing a lively weekend with Nichelle Nichols, Jimmy Doohan and Walter Koenig and all the faithful fans in so many cities all over the country. These cons really were like warm family reunions.

One of these conventions, however, was a sad one for all of us. It was at a Fabulous Four con in San Francisco that we learned of DeForest Kelley's passing. Our hearts were heavy, but we decided, instead of grieving over his death, to make the convention a celebration of his life and a sharing of our joyful memories of a dear friend and gifted colleague. De will always be in our hearts and fond memories. He has left his widow Carolyn and all of us a glorious legacy.

The year ends with a completion of a great circle back to the Japanese American National Museum, whose trustees elected me Chairman of the Board effective January 1, 2000. It will be an engaging challenge and I know that the museum can count on the enthusiastic support of a great many people across the nation. I invite you all to visit the museum when you are in Los Angeles or when one of our traveling exhibits visits your city. Let's all boldly go into a new millennium where we have never gone before.

I send to all of you my heartiest holiday cheers and very best wishes for a stellar Y2K.

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Hundreds of artists have signed a letter threatening a boycott if SiriusXM's parent company, Liberty Media, doesn't back down from opposing the Music Modernization Act.

The act, which was expected to pass through Congress, streamlines royalty payments in the new age of digital technology, but it seems SiriusXM is objecting to a small section that would have the satellite radio company paying royalties on recordings dating before 1972.

That's a whole lot of songs and a whole lot of money the company is hoping to skip out on paying, but not if stars like Paul McCartney, P!nk, Stevie Nicks, Sia, Carly Simon, Gloria Estefan, Mick Fleetwood, Don Henley, Max Martin, and Katy Perry can help it.

The letter read, in part:

I'm writing you with grave concern about SiriusXM's opposition to the Music Modernization Act (Classics Act included).

We are all aware of your company's objections and trepidation but let me say that this is an opportunity for SiriusXM to take a leadership position. As you are aware, 415 Representatives and 76 Senators have already cosponsored the MMA along with industry consensus. It's SiriusXM vs all of us. We can either fight to the bitter end or celebrate this victory together. Rather than watch bad press and ill will pile up against SiriusXM, why not come out supporting the most consequential music legislation in 109 years? We do not want to fight and boycott your company but we will as we have other opponents. Stand with us! Be brave and take credit for being the heroes who helped the MMA become historic law! Momentum is building against SiriusXM and you still have an opportunity to come out on the right side of history. We look forward to your endorsement but the fire is burning and only you can put this out.

SiriusXM resoponded with a letter of their own:

Over the past several weeks, we have been the subject of some stinging attacks from the music community and artists regarding our views on the Music Modernization Act. Contrary to new reports and letters, this is really not about a SiriusXM victory, but implementing some simple, reasonable and straightforward amendments to MMA. There is nothing in our "asks" that gut the MMA or kills the Act. So let's talk about the substance of the amendments we propose, because we truly do not understand the objections or why these concepts have incited such a holy war.ontrary to the accusations, SiriusXM has proposed three simple amendments to the MMA.

First, SiriusXM has asked that the CLASSICS Act recognize that it has already licensed all of the pre-1972 works it uses. This amendment would ensure that artists – the people who are supposed to be at the heart of the MMA – receive 50% of the monies under those existing licenses. Is that unfair? Just today, Neil Diamond wrote in the LA Times that: "I receive a small amount of songwriting royalties, but no royalties as the recording artist." How can that happen? To date, SiriusXM has paid nearly $250 million dollars in pre-'72 royalties to the record labels. We want to make sure that a fair share of the monies we have paid, and will pay, under these licenses gets to performers. Without this provision, artists may never see any of the money SiriusXM paid, and will pay, for the use of pre-1972 works. Artists not getting paid hurts our business!

Second, Sirius XM thinks that the fair standard to use in rate setting proceedings is the standard that Congress chose in 1995 and confirmed again in 1998 – which is called the 801(b) standard. However, we are willing to move the "willing buyer/willing seller" standard contained in the MMA. In exchange, we have asked for the same concession that the MMA grants to other digital music services, but we were left out of — simply that the rates that were set last year for five years now apply for ten years. We thought this was a fair compromise when we read the "new" MMA that was released this weekend by the Senate, and are willing to live by that compromise.

Third, SiriusXM is asking the simple question: "Why are we changing the rate court evidence standard for musical compositions in this legislation so that it gives another advantage to broadcasters over satellite radio and streaming services?" There is no policy rationale for this change to tilt the playing field further in their favor, and frankly no one has been able to explain it to us. It is only fair that we debate why the change to Section 114(i) is in the MMA.

Did you all catch that? It sounds like lawyer speak for "we don't really want to say where we stand."

media.giphy.com

It seems all the letters were for naught. The Music Modernization Act passed in the U.S. Senate.




It was time to celebrate and dance in the streets.









As the saying goes, honest pay for honest work.

media.giphy.com


H/T: Variety, Spin