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Historic Travels

October, 2002

October, 2002, LOS ANGELES - September was a month rich with resonance from the past. The shock and terror of a year ago still haunts us with silent anxiety. The media, though, was not so quiet. The air was filled with reminders of the horrors of September 11, 2001. There were for me, however, other reminders of other events from history that brought a larger context.

The month began for me with a visit to Sacramento, California. The trip took me back to another kind of horror that occurred almost sixty years ago. I went to my state capital for a reunion of the people interned during World War II in the American internment camp for Japanese Americans in northern California called Tule Lake. That was one of the two camps in which my family and I were incarcerated simply because of our Japanese ancestry. I was the keynote speaker at the reunion banquet. I spoke of my childhood memories of my years of confinement at Tule Lake. I also spoke of the power of our American democracy to learn from and heal the wounds of its past errors. Where else is there a government where the victims of the violation of our civil liberties can initiate a process for redress, with the effort led by Japanese American legislators in the U.S. Congress who themselves had been incarcerated? Where else is there a nation with its Constitutional principals set so shiningly high that its history has been a constant work-in-process? To the elderly people there at that banquet with memories of internment and to the younger people there with searching, inquiring minds about that history, I made the point that ours is a participatory democracy that calls for and is crucially dependent on the involvement of good, principled citizens.

My next trip was to Hawaii. This one took me a few more months further back into history. It was here in Oahu that the attack that precipitated the war occurred at Pearl Harbor. That attack also ignited the hysteria that put Japanese Americans into those internment camps. I had the honor of serving as co-master of ceremonies, together with the first Miss Universe from Hawaii, Angela Baraquio, of a concert called the Aloha Peace Concert. The program was dedicated to world peace sponsored by the International Committee of Artists for Peace. The featured performers were the great jazz artists, pianist Herbie Hancock and saxophonist Wayne Shorter. The show was a huge success and played to a sold-out house.

The irony, however, of a peace concert in the city where an historic war began was compelling. Herbie, Wayne, and I, together with members of the International Committee of Artists for Peace, made a pilgrimage to the Arizona Memorial at Pearl Harbor. The Hawaiian afternoon was bright and sunny but the atmosphere was solemn as a special U.S. Navy barge took us out to the Arizona Memorial where 1,177 sailors are entombed in the sunken ruins of the battleship, USS Arizona. Floral wreaths had been prepared for us to present to those who perished in the devastating surprise attack. My wreath was on behalf of the Japanese American National Museum. I approached the marble wall etched with the names of those sailors whose bodies lie in the waters just below us. It was these men -- most of them mere boys -- who made the ultimate sacrifice so that we could be there advocating for peace. It was a deeply moving experience.

My final trip of the month was to Washington, DC and the autumn Board of Trustees meeting of the Japanese American National Museum. We had recently become an affiliate of the Smithsonian family of museums, so we scheduled this meeting in a conference hall at the National Museum of American History on the great mall. This trip was also an opportunity for me to connect with more current history.

The Memorial to Japanese American Patriotism during World War II had recently been completed near the Capitol building. The Memorial is made up of a long granite wall with the names of the 10 internment camps and the number of people incarcerated in each. Further down the wall are the names of all the Japanese American soldiers who died fighting for this country in World War II. In the center of the plaza is a sculpture of two cranes caught up in a tangle of barbed wire struggling to reach for the sky. The names of the two camps where I, together with my family, was incarcerated, Rohwer in Arkansas and Tule Lake in California, happened to be placed right next to each other. The irony and the power of this newest of monuments in our national capital is deeply personal to me as well as gravely important to our nation.

At the conclusion of our board meeting, our Museum hosted a symposium addressing the aftermath of September 11th. The participants were Secretary of Transportation Norman Mineta, who happens also to be a trustee of our Museum, and photojournalist Stan Honda, who captured some of the iconic images of the horrors at the World Trade Center on that devastating day. I served as the moderator. Intrinsic to any discussion of September 11th by Japanese Americans is dialogue weighing civil liberty with national security. The generational perspectives brought to the discussion by Secretary Mineta, who had himself been incarcerated during the World War II and Honda, who had not yet been born at the time, added another dimension to the discussion. Nevertheless, there was agreement that our government made a severe Constitutional error then and that Japanese Americans have a singular responsibility to do all that we can to prevent that from being repeated with another group of people just because they happen to "look like the enemy."

The travels of September took me on a time journey from the immediate history of a year ago to those of more than six decades past, then full circle round back to a discussion on the responsibilities we bear as Americans today. We must not forget the lessons from our history. It was a full and thought-provoking month of travels.

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(OneScotland)

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Each message is signed on behalf of Scotland.

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(GettyImages)

A man on Twitter informed feminists they had to choose between chivalry and equality.

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Katy Perry, P!nk, Paul McCartney And More Sign Letter Threatening To Boycott SiriusXM Radio
Photos by John Shearer-Direct Management-Christopher Polk-Gary Gershoff-WireImage

Hundreds of artists have signed a letter threatening a boycott if SiriusXM's parent company, Liberty Media, doesn't back down from opposing the Music Modernization Act.

The act, which was expected to pass through Congress, streamlines royalty payments in the new age of digital technology, but it seems SiriusXM is objecting to a small section that would have the satellite radio company paying royalties on recordings dating before 1972.

That's a whole lot of songs and a whole lot of money the company is hoping to skip out on paying, but not if stars like Paul McCartney, P!nk, Stevie Nicks, Sia, Carly Simon, Gloria Estefan, Mick Fleetwood, Don Henley, Max Martin, and Katy Perry can help it.

The letter read, in part:

I'm writing you with grave concern about SiriusXM's opposition to the Music Modernization Act (Classics Act included).

We are all aware of your company's objections and trepidation but let me say that this is an opportunity for SiriusXM to take a leadership position. As you are aware, 415 Representatives and 76 Senators have already cosponsored the MMA along with industry consensus. It's SiriusXM vs all of us. We can either fight to the bitter end or celebrate this victory together. Rather than watch bad press and ill will pile up against SiriusXM, why not come out supporting the most consequential music legislation in 109 years? We do not want to fight and boycott your company but we will as we have other opponents. Stand with us! Be brave and take credit for being the heroes who helped the MMA become historic law! Momentum is building against SiriusXM and you still have an opportunity to come out on the right side of history. We look forward to your endorsement but the fire is burning and only you can put this out.

SiriusXM resoponded with a letter of their own:

Over the past several weeks, we have been the subject of some stinging attacks from the music community and artists regarding our views on the Music Modernization Act. Contrary to new reports and letters, this is really not about a SiriusXM victory, but implementing some simple, reasonable and straightforward amendments to MMA. There is nothing in our "asks" that gut the MMA or kills the Act. So let's talk about the substance of the amendments we propose, because we truly do not understand the objections or why these concepts have incited such a holy war.ontrary to the accusations, SiriusXM has proposed three simple amendments to the MMA.

First, SiriusXM has asked that the CLASSICS Act recognize that it has already licensed all of the pre-1972 works it uses. This amendment would ensure that artists – the people who are supposed to be at the heart of the MMA – receive 50% of the monies under those existing licenses. Is that unfair? Just today, Neil Diamond wrote in the LA Times that: "I receive a small amount of songwriting royalties, but no royalties as the recording artist." How can that happen? To date, SiriusXM has paid nearly $250 million dollars in pre-'72 royalties to the record labels. We want to make sure that a fair share of the monies we have paid, and will pay, under these licenses gets to performers. Without this provision, artists may never see any of the money SiriusXM paid, and will pay, for the use of pre-1972 works. Artists not getting paid hurts our business!

Second, Sirius XM thinks that the fair standard to use in rate setting proceedings is the standard that Congress chose in 1995 and confirmed again in 1998 – which is called the 801(b) standard. However, we are willing to move the "willing buyer/willing seller" standard contained in the MMA. In exchange, we have asked for the same concession that the MMA grants to other digital music services, but we were left out of — simply that the rates that were set last year for five years now apply for ten years. We thought this was a fair compromise when we read the "new" MMA that was released this weekend by the Senate, and are willing to live by that compromise.

Third, SiriusXM is asking the simple question: "Why are we changing the rate court evidence standard for musical compositions in this legislation so that it gives another advantage to broadcasters over satellite radio and streaming services?" There is no policy rationale for this change to tilt the playing field further in their favor, and frankly no one has been able to explain it to us. It is only fair that we debate why the change to Section 114(i) is in the MMA.

Did you all catch that? It sounds like lawyer speak for "we don't really want to say where we stand."

media.giphy.com

It seems all the letters were for naught. The Music Modernization Act passed in the U.S. Senate.




It was time to celebrate and dance in the streets.









As the saying goes, honest pay for honest work.

media.giphy.com


H/T: Variety, Spin

Some Residents Of Uranus, Missouri Are Not Happy About The Name Of Their New Local Newspaper 😆
CBS Philly/YouTube, @ShirtlessKirk/Twitter

There's nothing like a good pun about human anatomy. Really gets the juices flowing!


Owners of the new Uranus Examiner must have been snickering as they announced the paper's name. Apparently, it's caused quite the controversy in the small town of Uranus, Missouri, over the last few days.

Residents are divided over whether the pun is an embarrassment or perfectly snarky:


Folks on the internet responded with maturity and composure after learning about the Uranus Examiner.

Oh, wait. No they didn't.





If you think about it... there might actually be a method to the madness here. The brand new paper's name has received widespread media coverage over this past week. Simply put... everyone's talking about Uranus.

In terms of publicizing their new venture, the owners of the Uranus Examiner have actually done a pretty sweet job!


In the video above, a woman suggests the paper should have been called "The Pulaski County Examiner."

If you ask me, that's TOTALLY BORING, and wouldn't have generated as much interest and publicity for the paper. So while the name might be cringeworthy to some, you can bet Uranus that it'll stick around. Who knows, Uranus might even grow as a result!

H/T: Indy100, The Kansas City Star