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Dense Enrichment

July, 2004

July, 2004, LOS ANGELES - My travel schedule in July had me covering about a quarter of this planet from Tokyo, Japan, to the east coast cities of Washington DC, New York, and Boston and finishing up the month at a Star Trek convention in a blazingly hot Las Vegas, Nevada.

The most personally affecting journey, however, was my first trip of the month during the Fourth of July weekend. On that holiday weekend when we Americans celebrate our liberty and freedom, I joined a pilgrimage to a former U.S. internment camp where my family and I, together with 18,000 other Japanese Americans, were imprisoned during World War II.

The camp is in northern California, almost at the Oregon border. It has an almost mockingly poetic name, Camp Tule Lake. It was there in a barbed wire camp built on a wind-swept dry lake bed that I spent two and a half years of my boyhood after a year and a half in another internment camp in Arkansas.

The pilgrimage was made up of bus caravans that came from Sacramento, San Francisco, San Jose, Oakland and Berkeley, California. We, from Los Angeles, joined the one from Sacramento. On the buses were survivors of the internment, most of them elderly now, young Japanese Americans intent on understanding the experience of their grandparents and parents, scholars of the internment, both white and Asian, a few filmmakers and one or two African Americans. It was a good spectrum of the nation on a journey back to a dark chapter of American history. This was my second pilgrimage to Tule Lake. Eight years ago, in 1996, I made my first journey back since our family was released from that camp exactly fifty years before. That pilgrimage was also on a Fourth of July weekend. The symbolism was irresistible.

The tar paper barracks that we lived in are all gone now - long removed or destroyed by time. With the guidance of an authority, I retraced a dirt road to an area where our barrack once must have been. I recognized the view of Abalone Mountain and Castle Rock from that barren site. This must have been where my home was, so long ago. The mountains were the only landmark I was able to remember. One of the few remaining structures from the camp was the concrete stockade, a jail within an internment camp. These pilgrimages back to a little remembered time in our history help enlarge my appreciation of the preciousness of our American liberty and my awareness of its fragility. They also deepen my understanding of the painful human price paid by such failures of our democracy.

The most poignant part of the pilgrimage was the memorial service held at the old cemetery site for those who died during their incarceration. Tribute was paid to those who passed in all 10 internment camps with candles lit by representatives from each of the camps. I was honored to represent Camp Rohwer in Arkansas, where my family and I were held before being brought to Camp Tule Lake. As we paid our respects to those who passed in these camps during World War II, my thoughts were also with those Arab Americans today who are being detained without the due process to which we are all entitled. I resolved as an American to work to ensure that the fundamental ideals of this nation shall prevail over today's challenges of terrorism.

The most joyous part of the pilgrimage was a cultural program held in the newly restored Art Deco movie theater in the nearby town of Klamath Falls, Oregon. The performers were former internees and their descendants. The audience was made up of those on the pilgrimage and the people of the town of Klamath Falls. I served as the master of ceremony as well as a reader of a poem written by a former internee/poet. There were musical acts, dramatic readings, and dance performances. About a thousand people - former internees and those on the pilgrimage shared a happy evening of cultural performances with the town folks of a rural southern Oregon community. The applause after each act was loud and appreciative. It was, to me, the sweet sound of a healed nation and the true spirit of America.

The trip to Tokyo was to promote the fall release in Japan of the DVD version of the original Star Trek television series. The promotional campaign involved back-to-back series of print, television, and radio interviews culminating in a massive public event in a chamber hall of the central Tokyo Railway Station. Fans from throughout Japan gathered, many in Starfleet uniforms, others in USS Excelsior T-shirts, to celebrate a unique Star Trek event. The master of ceremonies was a hyper-animated Japanese comedian in Starfleet uniform accompanied by a bevy of lovely young girls dressed as Starfleet yeomen. The applause when I was introduced was thunderous. It was an extraordinary sensation to be talking in Japanese about a television series on which I had worked almost forty years ago in Hollywood to young fans in Japan, many of whom had not yet been born at the time.

The enthusiasm, the devotion, and the love I felt from them were as real and as palpable as that from fans in North America, South America or Europe. What made this so special was the fact that this event was in the country from which my grandparents came to America about one hundred years ago. Never in their wildest imagination could they have dreamed that their grandson would be so affectionately received as an actor in this, my ancestral land. What an amazing world we live in! And what an astonishing global phenomenon Star Trek has become.

The trips to the East Coast cities were a combination of business and pleasure. Washington DC was for a meeting of a task force on which I have been asked to serve. New York is always my destination for great theater and excitement as well as the nerve center of work and business. After the business part of my mission was completed, it was theater every evening. The most impressive drama I caught was Arthur Miller's "After The Fall" starring Peter Krause from the television series, "Six Feet Under." Krause was fine but the most striking performance in the play was that of Carla Gugino in the role inspired by Marilyn Monroe. Her characterization of an insecure woman, initially charming and poignantly eager to please, who, with power, grows into a terrifying monster, was commanding.

The most stirring musical was award winning playwright, Tony Kushner's "Caroline, or Change." I'm amazed by this artist who blew me away with "Angels in America" and now transported me musically to his native Louisiana in the 50's with a heartrending story of the relationship of a black housekeeper and a young Jewish boy, the son of her employer. Tonya Pinkins' performance as Caroline was soulfully moving. Other shows I caught were "Wonderful Town," "Sly Fox" with Richard Dreyfus and gifted Rene' Auberjonois in a hilariously delightful characterization, and "Frogs," starring Nathan Lane. I always leave New York feeling so enriched.

Changing to my political hat, I flew to Boston for the Democratic National Convention. I was not a delegate this year, but I served as the master of ceremony for one of the after parties. I thought it was a terrific convention. The speeches were stirring, former President Bill Clinton was masterful, and Senator John Kerry gave the best speech I had heard him make. We need a strong leader who can truly lead in a complex and diverse world; one who can address the historic deficit that this nation has been plunged into and create genuine jobs for working Americans. As you might guess, I am a Democrat and I have great feelings in my bones that we will elect a new president in November - President John Kerry.

The final trip of the month was to Las Vegas and a Star Trek convention. How comfortable these conventions have become! After all the hurly burly of the many trips, even with a slight jet-lag fog, I can still function easily surrounded by understanding and loving fans. I can get the names of familiar faces mixed up and still get a forgiving hug. I can growl out that old coal miners' song, "Sixteen Tons" and still get standing ovations. What terrific people fans are! I love the fans and I love these conventions that are like massive family reunions. July was a full, hectic and enriching month and how wonderful it is to recover and relax with fans at a Star Trek convention.

Scotland Tackles Transphobia and Homophobia In Brilliant New Billboard Ads ❤️
(OneScotland)

The Scottish government has had enough of hate crimes and is moving forward with a gutsy campaign.

According to Pink News, Scotland is launching a new initiative to combat intolerance with messages respectively addressing "bigots," "disablists," "homophobes," "racists," and "transphobes" in a series of ads circulating across the country.

Each message is signed on behalf of Scotland.

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Feminists Slam Man Telling Them They Can't Have Both Chivalry And Equality
(GettyImages)

A man on Twitter informed feminists they had to choose between chivalry and equality.

He was promptly raked over the coals for even assuming an antiquated concept would be considered as a viable option.

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Katy Perry, P!nk, Paul McCartney And More Sign Letter Threatening To Boycott SiriusXM Radio
Photos by John Shearer-Direct Management-Christopher Polk-Gary Gershoff-WireImage

Hundreds of artists have signed a letter threatening a boycott if SiriusXM's parent company, Liberty Media, doesn't back down from opposing the Music Modernization Act.

The act, which was expected to pass through Congress, streamlines royalty payments in the new age of digital technology, but it seems SiriusXM is objecting to a small section that would have the satellite radio company paying royalties on recordings dating before 1972.

That's a whole lot of songs and a whole lot of money the company is hoping to skip out on paying, but not if stars like Paul McCartney, P!nk, Stevie Nicks, Sia, Carly Simon, Gloria Estefan, Mick Fleetwood, Don Henley, Max Martin, and Katy Perry can help it.

The letter read, in part:

I'm writing you with grave concern about SiriusXM's opposition to the Music Modernization Act (Classics Act included).

We are all aware of your company's objections and trepidation but let me say that this is an opportunity for SiriusXM to take a leadership position. As you are aware, 415 Representatives and 76 Senators have already cosponsored the MMA along with industry consensus. It's SiriusXM vs all of us. We can either fight to the bitter end or celebrate this victory together. Rather than watch bad press and ill will pile up against SiriusXM, why not come out supporting the most consequential music legislation in 109 years? We do not want to fight and boycott your company but we will as we have other opponents. Stand with us! Be brave and take credit for being the heroes who helped the MMA become historic law! Momentum is building against SiriusXM and you still have an opportunity to come out on the right side of history. We look forward to your endorsement but the fire is burning and only you can put this out.

SiriusXM resoponded with a letter of their own:

Over the past several weeks, we have been the subject of some stinging attacks from the music community and artists regarding our views on the Music Modernization Act. Contrary to new reports and letters, this is really not about a SiriusXM victory, but implementing some simple, reasonable and straightforward amendments to MMA. There is nothing in our "asks" that gut the MMA or kills the Act. So let's talk about the substance of the amendments we propose, because we truly do not understand the objections or why these concepts have incited such a holy war.ontrary to the accusations, SiriusXM has proposed three simple amendments to the MMA.

First, SiriusXM has asked that the CLASSICS Act recognize that it has already licensed all of the pre-1972 works it uses. This amendment would ensure that artists – the people who are supposed to be at the heart of the MMA – receive 50% of the monies under those existing licenses. Is that unfair? Just today, Neil Diamond wrote in the LA Times that: "I receive a small amount of songwriting royalties, but no royalties as the recording artist." How can that happen? To date, SiriusXM has paid nearly $250 million dollars in pre-'72 royalties to the record labels. We want to make sure that a fair share of the monies we have paid, and will pay, under these licenses gets to performers. Without this provision, artists may never see any of the money SiriusXM paid, and will pay, for the use of pre-1972 works. Artists not getting paid hurts our business!

Second, Sirius XM thinks that the fair standard to use in rate setting proceedings is the standard that Congress chose in 1995 and confirmed again in 1998 – which is called the 801(b) standard. However, we are willing to move the "willing buyer/willing seller" standard contained in the MMA. In exchange, we have asked for the same concession that the MMA grants to other digital music services, but we were left out of — simply that the rates that were set last year for five years now apply for ten years. We thought this was a fair compromise when we read the "new" MMA that was released this weekend by the Senate, and are willing to live by that compromise.

Third, SiriusXM is asking the simple question: "Why are we changing the rate court evidence standard for musical compositions in this legislation so that it gives another advantage to broadcasters over satellite radio and streaming services?" There is no policy rationale for this change to tilt the playing field further in their favor, and frankly no one has been able to explain it to us. It is only fair that we debate why the change to Section 114(i) is in the MMA.

Did you all catch that? It sounds like lawyer speak for "we don't really want to say where we stand."

media.giphy.com

It seems all the letters were for naught. The Music Modernization Act passed in the U.S. Senate.




It was time to celebrate and dance in the streets.









As the saying goes, honest pay for honest work.

media.giphy.com


H/T: Variety, Spin

Some Residents Of Uranus, Missouri Are Not Happy About The Name Of Their New Local Newspaper 😆
CBS Philly/YouTube, @ShirtlessKirk/Twitter

There's nothing like a good pun about human anatomy. Really gets the juices flowing!


Owners of the new Uranus Examiner must have been snickering as they announced the paper's name. Apparently, it's caused quite the controversy in the small town of Uranus, Missouri, over the last few days.

Residents are divided over whether the pun is an embarrassment or perfectly snarky:


Folks on the internet responded with maturity and composure after learning about the Uranus Examiner.

Oh, wait. No they didn't.





If you think about it... there might actually be a method to the madness here. The brand new paper's name has received widespread media coverage over this past week. Simply put... everyone's talking about Uranus.

In terms of publicizing their new venture, the owners of the Uranus Examiner have actually done a pretty sweet job!


In the video above, a woman suggests the paper should have been called "The Pulaski County Examiner."

If you ask me, that's TOTALLY BORING, and wouldn't have generated as much interest and publicity for the paper. So while the name might be cringeworthy to some, you can bet Uranus that it'll stick around. Who knows, Uranus might even grow as a result!

H/T: Indy100, The Kansas City Star