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Celebration of Diversity

July, 1999

July, 1999, LOS ANGELES, CA - It's hard to believe, but here we are now halfway past the final year of this century. For that matter, the final year of this millennium. It does give me a sense of the momentousness of time.

July began with a singularly 20th-century experience that resonated with portents both terrestrial and extra-terrestrial. I did a Star Trek convention in Roswell, New Mexico, the place that claims to have had a visitation from outer space just a bit more than fifty years ago. There couldn't be a more fitting locale for a Star Trek con. My manager, Brad Altman, and I flew into Albuquerque, then he drove me the three-plus hours down to Roswell across the sun-scorched New Mexican landscape. We saw incredibly picturesque billows of dark clouds edged in radiant light. Then, off in the distance, we saw a flash of silent lightning on the horizon. As we drove on, we saw more flashes with increasing frequency. Before we knew it, we were driving through a storm of lightning bolts spearing the ground all around us. Right, left, front and rear. All with no sound, no rain. We drove on through this bizarre storm for about five minutes and suddenly, it was over. As if we had crossed some invisible meteorological border, the soundless lightning flashes stopped. But a few minutes later, like bullets fired at us from the sky, hailstones began falling on our rental car. The pounding got so loud, it seemed like we were being attacked by some fighter craft from above. We could barely see beyond the windshield. Then, as suddenly as it started, the hail assault was over. The sky cleared and we were driving through picture postcard New Mexican scenery again.

An hour later, a Days Inn Motel, looking brand spanking new, appeared on the roadside. We drove past a simple but tidy Travel Lodge, then a 7 Eleven, a Burger King, a Ramada Inn, the signposts to Americana U.S.A. Before long we were driving down Main Street with dress shops, thrift stores, a bookstore, and a Denny's on the corner. Then we came upon a 1930's art deco movie theater that obviously had been converted to more distinctive use. There was a crowd anxious to get in waiting under the sun bleached, jazz era marquee. It read, "U.F.O. Museum." We had arrived in Roswell, New Mexico. It was the very picture of a pleasant, upbeat community but with a singular distinction. The unidentified flying object was not only a local phenomenon and an alleged government conspiracy but a thriving industry as well.

The Chamber of Commerce was one of the sponsors of this Star Trek convention. It began with a ribbon cutting at a specialty store called Alien Zone. Roswell mayor, Bill Owen, was there to greet the public and the press. The local Toyota dealership was providing transportation for the celebrities and dignitaries. The business establishment was solidly behind this Star Trek convention. Chatting with Mayor Owen after the event, I learned that he was a native of Roswell but had been an FBI agent in Washington, D.C. in another life, as had his attractive wife. It occurred to me that an "X Files" convention could do well here as well.

Every convention has something unique about it but I must confess Roswell is the only place where I did my autograph signing sessions in a gallery filled with displays of mock-up alien visitors to Roswell back in 1947. They are depicted as about four feet tall with swelled, bald heads and enormous, dark, haunting eyes. Their spindly, elongated limbs are attached to a thin torso. Why do these alien life forms consistently seem to take on somewhat anthropomorphic shape? Is it that the people who have these encounters cannot see alien life taking forms other than basically our own? Much as Japanese artists who saw white people for the first time with Commodore Matthew Perry's visit to Japan in 1853 drew Caucasians with unambiguous Japanese features distinguished only by strange costumes and odd beards. If we are going to be venturing beyond this planet, it seems to me, we are going to have to have much more open minds and far greater imagination.

The consistent element with these conventions however, is the fans. Wherever we go, they are enthusiastic, dedicated and celebrants of the Star Trek view of pluralism. "Infinite diversity in infinite combinations" was vibrantly on display in Roswell in the combinations of ethnicities, lifestyles and ideas. May it live long and prosper.

Ethan Philips, that wonderful actor from one of our spin-off shows, "Star Trek: Voyager," was the other guest at this con. What a terrific stand-up comic he is! His performance at the convention dinner was painfully funny. Without any sense of shame or conscience, he told "my wife" jokes with his long-suffering wife right there in the audience in front of him. The crowd roared as she sat impassively in its midst.

I'm writing this on July 14. Tomorrow morning, I'm off to another convention in Raleigh, North Carolina with Walter Koenig, Jimmy Doohan and Nichelle Nichols. We keep on trekking, boldly going wherever this trek will take us. Next month, I'll be in Chicago on August 5, on the Navy Pier celebrating a summer festival. Stay tuned.

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(GettyImages)

A man on Twitter informed feminists they had to choose between chivalry and equality.

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Katy Perry, P!nk, Paul McCartney And More Sign Letter Threatening To Boycott SiriusXM Radio
Photos by John Shearer-Direct Management-Christopher Polk-Gary Gershoff-WireImage

Hundreds of artists have signed a letter threatening a boycott if SiriusXM's parent company, Liberty Media, doesn't back down from opposing the Music Modernization Act.

The act, which was expected to pass through Congress, streamlines royalty payments in the new age of digital technology, but it seems SiriusXM is objecting to a small section that would have the satellite radio company paying royalties on recordings dating before 1972.

That's a whole lot of songs and a whole lot of money the company is hoping to skip out on paying, but not if stars like Paul McCartney, P!nk, Stevie Nicks, Sia, Carly Simon, Gloria Estefan, Mick Fleetwood, Don Henley, Max Martin, and Katy Perry can help it.

The letter read, in part:

I'm writing you with grave concern about SiriusXM's opposition to the Music Modernization Act (Classics Act included).

We are all aware of your company's objections and trepidation but let me say that this is an opportunity for SiriusXM to take a leadership position. As you are aware, 415 Representatives and 76 Senators have already cosponsored the MMA along with industry consensus. It's SiriusXM vs all of us. We can either fight to the bitter end or celebrate this victory together. Rather than watch bad press and ill will pile up against SiriusXM, why not come out supporting the most consequential music legislation in 109 years? We do not want to fight and boycott your company but we will as we have other opponents. Stand with us! Be brave and take credit for being the heroes who helped the MMA become historic law! Momentum is building against SiriusXM and you still have an opportunity to come out on the right side of history. We look forward to your endorsement but the fire is burning and only you can put this out.

SiriusXM resoponded with a letter of their own:

Over the past several weeks, we have been the subject of some stinging attacks from the music community and artists regarding our views on the Music Modernization Act. Contrary to new reports and letters, this is really not about a SiriusXM victory, but implementing some simple, reasonable and straightforward amendments to MMA. There is nothing in our "asks" that gut the MMA or kills the Act. So let's talk about the substance of the amendments we propose, because we truly do not understand the objections or why these concepts have incited such a holy war.ontrary to the accusations, SiriusXM has proposed three simple amendments to the MMA.

First, SiriusXM has asked that the CLASSICS Act recognize that it has already licensed all of the pre-1972 works it uses. This amendment would ensure that artists – the people who are supposed to be at the heart of the MMA – receive 50% of the monies under those existing licenses. Is that unfair? Just today, Neil Diamond wrote in the LA Times that: "I receive a small amount of songwriting royalties, but no royalties as the recording artist." How can that happen? To date, SiriusXM has paid nearly $250 million dollars in pre-'72 royalties to the record labels. We want to make sure that a fair share of the monies we have paid, and will pay, under these licenses gets to performers. Without this provision, artists may never see any of the money SiriusXM paid, and will pay, for the use of pre-1972 works. Artists not getting paid hurts our business!

Second, Sirius XM thinks that the fair standard to use in rate setting proceedings is the standard that Congress chose in 1995 and confirmed again in 1998 – which is called the 801(b) standard. However, we are willing to move the "willing buyer/willing seller" standard contained in the MMA. In exchange, we have asked for the same concession that the MMA grants to other digital music services, but we were left out of — simply that the rates that were set last year for five years now apply for ten years. We thought this was a fair compromise when we read the "new" MMA that was released this weekend by the Senate, and are willing to live by that compromise.

Third, SiriusXM is asking the simple question: "Why are we changing the rate court evidence standard for musical compositions in this legislation so that it gives another advantage to broadcasters over satellite radio and streaming services?" There is no policy rationale for this change to tilt the playing field further in their favor, and frankly no one has been able to explain it to us. It is only fair that we debate why the change to Section 114(i) is in the MMA.

Did you all catch that? It sounds like lawyer speak for "we don't really want to say where we stand."

media.giphy.com

It seems all the letters were for naught. The Music Modernization Act passed in the U.S. Senate.




It was time to celebrate and dance in the streets.









As the saying goes, honest pay for honest work.

media.giphy.com


H/T: Variety, Spin

Some Residents Of Uranus, Missouri Are Not Happy About The Name Of Their New Local Newspaper 😆
CBS Philly/YouTube, @ShirtlessKirk/Twitter

There's nothing like a good pun about human anatomy. Really gets the juices flowing!


Owners of the new Uranus Examiner must have been snickering as they announced the paper's name. Apparently, it's caused quite the controversy in the small town of Uranus, Missouri, over the last few days.

Residents are divided over whether the pun is an embarrassment or perfectly snarky:


Folks on the internet responded with maturity and composure after learning about the Uranus Examiner.

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If you think about it... there might actually be a method to the madness here. The brand new paper's name has received widespread media coverage over this past week. Simply put... everyone's talking about Uranus.

In terms of publicizing their new venture, the owners of the Uranus Examiner have actually done a pretty sweet job!


In the video above, a woman suggests the paper should have been called "The Pulaski County Examiner."

If you ask me, that's TOTALLY BORING, and wouldn't have generated as much interest and publicity for the paper. So while the name might be cringeworthy to some, you can bet Uranus that it'll stick around. Who knows, Uranus might even grow as a result!

H/T: Indy100, The Kansas City Star

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