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February, 2005, LOS ANGELES - Movies are my work and my love. Even more, it has been a source of inspiration throughout my life. When I was a boy in U.S. internment camps, the movies I saw in the mess hall after dinner helped me to vicariously escape the barbed wire fences that confined me to a world beyond. After the war, back home again in Los Angeles, the nearness of the fabled studios of Hollywood became irresistibly enticing beckons. As a drama student at U.C.L.A., making student films with classmates like Francis Coppola, we explored the possibilities and challenges of filmmaking. When I became a young professional actor, through the trials and tribulations of building a career, I learned the value of hard work and dedication combined with resilience. As a lifelong movie buff, I was moved, outraged, enchanted, and transported by films like, "Citizen Kane," "Casablanca," "Grapes of Wrath," "Lawrence of Arabia," "Bridge over the River Kwai," "Gandhi," and "The Godfather." I love movies.
Because I love movies, the Oscar ceremonies, the Academy of Motion Picture Arts and Sciences' annual recognition of excellence in motion pictures, is a joyous celebration. It is, for me, not a contest, but a gala. To me, all of the nominated artists are winners and the Oscar recipients are the luckiest of the best. I go to the Oscars to revel in and celebrate the best in movies.
I had a great time at the Oscars this year. Security before I got to the red carpet at the Kodak Theater was quite intense but once past, it was the grand old Hollywood tradition well observed. The flash bulbs flashed, the fans in the stands shrieked on cue, and glitter and glamour was all around. I saw Penelope Cruz looking stunning; best actress nominee, Annette Benning and her well-known husband moved slowly down the red carpet waving regally; Ethan Hawke and Julie Delphy, who were both nominated for the best adapted screenplay of "Before Sunset" together with Richard Linklater; were making the interview rounds as if they were congenitally attached. Inside the theater, one could easily spot Clint Eastwood because of his height, sculpted good bones, and metallic white hair. The air was electric with anticipation.
An authoritative, amplified female voice boomed the countdown and the Oscar telecast was on. Chris Rock, the much-hyped host this year, began with a riff on stars, actors, and President Bush. Poor Jude Law - I felt so sorry for him being mocked for being such a busy actor. He had, in fact, been in a lot of movies this past year; "Closer," "I Heart Huckabees," "Sky Captain and the World of Tomorrow," "Alfie," and smaller roles in "The Aviator," and "Lemony Snickets." I wondered whether he was in the audience and how he might be taking it. I thought it was good that, later in the evening, Sean Penn, last year's Oscar recipient, stated from the stage that Jude Law was a fine actor. I heartily agreed.
The first acting award announced was Best Supporting Actor. There were five great nominees for the recognition. Who can decide between apples, oranges, peaches, and pears? I love them all for their own unique deliciousness. That is the way I feel about all the nominated performances for supporting actor. Alan Alda was contemptibly ingratiating as the crooked U.S. Senator in "The Aviator." Thomas Haden Church was a lovable goofus in "Sideways." Jamie Foxx's performance as the terrified cab driver in "Collateral" was compelling. Clive Owen in "Closer" probed the dark depths of a complex character. Morgan Freeman, an actor who always impresses me, created a full, rich, and touching portrait of a has-been hanging on in "Million Dollar Baby." They were all brilliant, each in their own singular way. The luckiest of this gifted group turned out to be Morgan Freeman. I applauded unreservedly - as I would have any of the other actors. I did, however, agree with his luck. Morgan Freeman is a great actor.
Chris Rock unexpectedly kept the program moving right along. One after another, the awards were announced. There were a few innovations with this year's presentation. In a few categories, all the nominees were on stage together to be introduced as the award was announced. I thought that was a good idea. A bad innovation was the announcement of the nominee and the awards made from the audience. I thought that diminished the awards as well as the recipients. I think the awardees all deserve to receive their Oscars on stage. I hope we don't see this kind of harebrained innovation next year.
As an actor, I'm most passionately interested in the acting awards. I applauded until my hands hurt as the Oscars were handed out to Cate Blanchett, then Hilary Swank, and finally to Jamie Foxx. What a lucky group of radiant talents they are! The sixteen other actors that were not quite so lucky this year are still brilliant, gifted actors and I know we can continue to expect wonderful works from them.
I know there will be many among you who will want to know which actor I voted for. I am not revealing my very subjective choices - and that is what they are - subjective and personal. All I will say is that some of my choices were lucky and some were not.
January, 2005, LOS ANGELES - What other city would name itself after the state that it is in so that its name is repeated twice? New York, New York is the only city I know. Only a brash, self-assertive metropolis like New York City has such chutzpah. But, that repetition can also become the chill-induced shiver that comes from chattering teeth trying to say New York in bitter cold. I went to New York, New York in the middle of a deep freeze to catch up on a few plays. A huge blizzard had been predicted but I went anyway. New York in a winter snowstorm was both beautiful and nasty.
Looking out the hotel window and watching the sky fill up with dancing soft flakes that look like tiny bits of torn-up tissue paper was nature's poetry. Watching Central Park transform itself into a frosted winter wonderland was magical. The nasty part was when I went outside and tried to get to Central Park. The frozen sidewalks became treacherous ice sheets. The slushy street crossings turned people into clumsy ballet dancers attempting great leaps that rarely reached their mark. And, I am a southern Californian. We are like exotic hothouse plants suddenly plunged into frigid winter air. We don't take well to it. I froze.
The theaters of New York, however, fill my body with joy and warm my soul. The hottest drama I saw was one I had once seen as a teenager on the fabled television series, Playhouse 90 - "Twelve Angry Men" by Reginald Rose. This courtroom drama moved me decades ago on television and it was even more powerful on stage. Philip Bosco was a standout in a large cast of fine actors. Its run has been extended, so if you should be in New York, New York, do try to catch it. You're in for a great evening of drama.
Stephen Sondheim's "Pacific Overtures" is one of my favorite musicals and it was enjoying a revival on Broadway. What made this current production special for me was that I had actor friends performing in it plus the fact that I had performed in a concert reading of it in Dayton, Ohio. I knew the play well. The role I played, the Reciter, was being played by the gifted actor, B.D. Wong. Years before he won a Tony Award for his stunning turn on Broadway in "M. Butterfly," he was cast as my son in an episode of the television series, "Black's Magic." And now, here was my "son" on Broadway reciting the words I had spoken in Dayton, Ohio, a few years back. As I watched his engaging performance, I glowed with paternal pride. Friends from East West Players in Los Angeles, Sab Shimono and Michael Lee, were brilliant in principal roles. Good friend, Alvin Ing, was sheer delight as the murderous mother of the Shogun who poisons him with her chrysanthemum tea. Alan Muraoka, who was with me in the Dayton production, was his wonderful self as a councilor and a merchant. I would love to recommend this production of "Pacific Overtures" to you but, alas, I saw it near the end of its run and it is no longer playing. However, a captivating and more than a bit naughty puppet musical - of all things - titled "Avenue Q," is a big hit and should be around for a long time. I loved it.
A gripping drama from Britain's National Theater, "Democracy" by Michael Frayn, was another impressive play. It is about a spy in the inner circle of German Chancellor Willy Brandt's office before the collapse of the Berlin Wall. Richard Thomas, who you might remember as "John Boy" from the television series, "The Waltons," was superb as the mole, as was Michael Cumpsty as his handler. There is rich fare on Broadway this year. My only disappointment was the over-hyped musical, "Wicked." Perhaps it was because we didn't see it with the original award-winning cast, but I thought it was hackneyed, mechanical, and an extravagant waste of talent, labor, and money.
The repetitive New York, New York also became a repeated reality for me this month because no sooner had I returned to Los Angeles but I was called back to New York for a quick meeting. Within a week, I was on a plane headed back to frozen New York City. On arrival, however, I learned that the trip was unnecessary. The meeting had to be cancelled. Rather than disappointment, this was for me another serendipitous turn of events - few more days to whoopee in New York, New York. Now the repeated New York, New York took on a happy, celebratory rhythm.
I decided to celebrate with a day at the newly redesigned Museum of Modern Art. I loved the old building and especially the Abby Aldrich Rockefeller Sculpture Garden. I wondered what had been done to it. Might we have lost something we were fond of? A bit apprehensively, I entered the redesigned building. I was stunned. The new Museum was spectacular. The building had been transformed into an architectural sculpture. The building itself had now become the largest art piece at MOMA. Japanese architect, Yoshio Taniguchi, had taken space and shaped it as an elegant minimalist walk through sculpture. 
The space flowed; it stretched horizontally, it eddied into intimate galleries, most dramatically, the space soared vertically. This is Manhattan; the most vertical urban statement in the world and the architecture captured that New York spirit of reaching for the sky. This verticality is most elegantly expressed in the central gallery, a shaft about four stories high and in it stands a single piece of sculpture, Broken Obelisk by Barnett Newman. The vertical space gives soaring context to the sculpture and the perpendicular inverted obelisk perched on a pyramid inhabits and elegantly compliments the gallery space. Space and the art in it becomes one. There is a comprehensive display of the many museums throughout Japan designed by Yoshio Taniguchi in the special exhibits gallery.
The unexpected and subsequently cancelled meeting in New York made this month a genuinely double New York, New York beginning of this year. It was a cold but wonderful beginning.
I returned home to Los Angeles, however, to learn that there was to be an ending as well. The long run of Star Trek on television was to come to a close. "Star Trek: Enterprise" had been cancelled. Immediately, I thought of how the actors on the show must be feeling now. I know the sadness and the feeling of disappointment they must be experiencing. I suffered those same emotions so long ago.
I remembered how we hoped against hope that we would be picked up. I remembered the anticipation and anxiety. I remembered the disappointment and hurt. Those actors on "Star Trek: Enterprise" were now going to be between engagements," "at leisure" - they were unemployed! Then I thought of the fans that had trekked along with us now for generations. Some had been with us from the very beginning in September of 1966, from the original series on through four spin-offs series. They, the fans, are the ones who really created the phenomenon of Star Trek. They are the real pillars of the series. I know how hurt they must be feeling. But I also know the history of Star Trek. Back in 1969, we thought we were done with Star Trek. The series, the journey, had ended - except for the reruns. Little did I know then. I think I've learned something from history since. As Spock once said, "There are always possibilities." As it turned out - there were.
December, 2004, LOS ANGELES - I hope you all enjoyed a happy holiday season. We celebrated Christmas with family and friends up in my cabin on a ridge overlooking the pine forest of the White Mountains of Arizona. On the day after Christmas, as we were relaxing after the day of merry making, news reports of a huge earthquake off the coast of Indonesia flashed on the television screen. The initial announcement was that it was an 8.9 tremor. We Californians immediately recognized that as a giant quake. Thankfully, we were in Arizona, where earthquakes hardly ever occur. The damages and fatalities in Indonesia must be horrible, we all speculated. Then, the toll of lives lost was reported to be in the thousands. It sounded terrible. Soon, more pictures appeared on the screen. We saw scenes that seemed like something out of a science fiction movie. Vacationers on the beach calmly watching in fascination as the waters strangely ebbed out to sea revealing boulders and rocks as an enormous wall of water loomed up in the distance. Then, the odd phenomenon growing and growing more ominously as it approached closer and closer to the beach. Then the monstrous mountain of water crashing down in a gigantic cataclysm engulfing everything in its path - people, boats, houses, buildings. Everything. Anything in its path was swept up, mangled up, and washed away. It was devastation on a scale beyond belief. This was what is called a tsunami - a Japanese word for massive killer waves produced by great undersea disturbances. The earthquake off Indonesia had produced deadly tsunamis that ravaged all the South Asian nations along the Indian Ocean and as far away as the east coast of Africa.
The Richter scale number has now been revised up to an incredible 9.0. The death toll numbers have also continued to climb - tens of thousands at first, then fifty thousand, then a staggering seventy-five thousand. The enormity of the number of human lives lost became inconceivable. As I write this column, the number of fatalities is at 155,000 dead and countless more are missing.
Now, the challenge is to help the survivors. The lack of food, water, medicine and the danger of disease spreading have become the great perils. This is a human calamity of inconceivable proportions.
We must do all we can to help in this global catastrophe. I immediately connected with the American Red Cross and made a financial contribution to the International Response Fund. I urge you all to pitch in and support the many proven humanitarian organizations that are working to help the devastated people of South Asia. Please know the history of the group to which you make your contribution. Make sure that they are experienced and established aid organizations. This is the time of year when we celebrate by sharing our blessings. We are so blessed and the survivors of the tsunami are so overwhelmed. I hope our compassion can swell to tsunami proportions to help these desperate survivors. Please send money to aid them. From what I have learned, money is the most effective way of sending aid. Donated clothing, blankets, and canned foods, as generous as they may be, require the additional cost of transportation and the logistics of distribution. Contributions of money can cut through all that. It will buy the most needed aid in the regions of need and cost-effectively deliver them to the survivors. The compassion from our heart should be expressed with the good sense of our minds.
When we witness random horrors like that of the tsunami, we have to be so grateful for the blessing that we enjoyed during a safe holiday season. I thought of the blessing of my December spree in London preceding the holidays. I appreciate so much more now the familiar sight of the giant Christmas tree dominating Trafalgar Square - always there, always sparkling, always welcoming me to a Dickensian holiday in London. I love and savor so much more now, the holiday hubbub in the London air; the delight on the faces of the people in the galleries at the National Gallery, where the admission is always free to see some of the greatest works of art in the world. As I take that bracing walk across Waterloo Bridge over the Thames, I enjoy more deeply now the spectacular vista of the London skyline from St. Paul's Cathedral spanning all the way over to Big Ben and the Parliament Building. Even as I approach the ugliest building in London, the National Theater on the South Bank, I'm comforted by the thought that the best theater in the English language is housed in that hideously menacing concrete fortress. And, as wonderful a theater town as London is, it can also palm off some of the worst productions that I have ever seen - on this trip - of all plays - "Romeo and Juliet" by William Shakespeare! I also saw the most theatrically imaginative production of Stephen Sondheim's "Sweeny Todd." At the curtain call, I found myself leaping up and enthusiastically joining in shouting, "Bravo, bravo, bravo!"
A special blessing I squeezed into this London trip was a quick excursion to Paris by Eurostar. The three-hour train dash through the chunnel never fails to impress me. To cross the English Channel by a manmade underwater tunnel, the impossible dream of many centuries, always thrills me.
Paris is to me the greatest urban achievement of humankind. I love the grand boulevards as well as the narrow cobbled alleyways. I love the regal orderliness of the Tuilleries Garden as well as the tiny courtyard gardens. I thrill at the grandeur of the Beaux Art palaces as well as the charm of ancient buildings that seem to lean over from the weight of centuries.
Most of all, the great pleasure of Paris - dining - whether at premiere gastronomic temples like Ledoyen or small family-run brasseries on I'lle St. Louis, is always unsurpassed. It seems impossible to get a bad meal in Paris.
We are so blessed. We share our blessings with loving family and friends during this holiday season. It is heartbreaking that there are so many people in South Asia who have lost so much - they even lost their family and their friends. Let us share our blessings with our larger human family. Let us give generously. The need is so great.
November, 2004, LOS ANGELES - It came with no advance notice. The phone rang. I picked up the receiver. It was the Vice Consul of Japan in Los Angeles, Yuko Kaifu, calling to inform me that I was to be honored by the Government of Japan. I was to be granted the Order of the Rising Sun with Gold Rays and Rosette at an audience with His Majesty, Emperor Akihito, at the Imperial Palace in Tokyo. I was stunned! Out of the clear blue sky, with no forewarning, I, an American, was not only going to be given an international recognition by the Government of Japan, but granted an audience with the Emperor! I must have stammered some clumsy words of appreciation and hung up. I was so shocked I can't clearly remember what I said.
It still seemed like a dream as I flew over the white cotton clouds of the Pacific on my way to Tokyo. The letter from the Consul General of Japan's office that followed the phone call said the decoration was for my years of promoting U.S.-Japan relations. It said that my service with the Japanese American Citizens' League, the Japan-U.S. Friendship Commission as President Bill Clinton's appointee, the Japan-U.S Conference on Cultural and Educational Interchange, and my work with the Japanese American National Museum were appreciated, recognized, and honored by the Government of Japan. All those activities could surely be considered altruistic public service but they also integrated my pride in my Japanese ancestry with my American nationality. Most of all, I enjoyed being engaged with and contributing to all of those activities. Never in my wildest imagination did I think I would be flying to Tokyo to be granted a decoration by the Emperor of Japan in the Imperial Palace for activities I enjoyed and found personally engaging.
The street alongside the moat surrounding the Imperial Palace is the favorite running route for runners in central Tokyo. It's the longest stretch without a cross street. I have run it often when I've been in Tokyo. On this occasion, however, I was going across the bridge over the moat onto the Palace grounds. There were dignitaries from many other countries who were also being honored. I chatted briefly with honorees from Canada, Australia, Brazil, Pakistan, and Mexico among many others who were gathered on the palace grounds. Three of us were Americans, one from St. Louis and two from Los Angeles. Staff from the Imperial Household, wearing somewhat Napoleonic looking coats with double rows of gold buttons down the front, were everywhere answering questions, giving directions, and organizing us.
We were lined up in formation and escorted up the grand staircase to the Imperial Audience Hall. If Japanese minimalism could be described as grandly elegant, this room had to be it. Two sides of the vast room were horizontal shoji screens. Both end walls were entirely covered by woven tapestry with only a pale hint of pastel clouds in the design. About a half-dozen crystal chandeliers of contemporary design hung from the ceiling. In the center of the room was a low, carpeted platform. There was no other furnishing. A man in a gold-buttoned coat announced the Grand Chamberlain and an extraordinarily tall, slim, imperious-looking man stepped forward. He wore a formal swallowtail coat. He instructed, in softly commanding tones, the procedure that was to be followed in the ceremony. Gold-buttoned staffers quietly sidled up to those who did not understand Japanese to whisper translations into their ears.
We were told when the Emperor would make his entrance, how we were to bow, when we were to bow, how often and how long we were to hold our bows. Then he stepped away and grandly announced the entrance of His Majesty, the Emperor. Silently, seemingly automatically, the shoji screen slid open. It revealed a magnificent garden with a placid lake. I could see the Emperor walking down the veranda as he approached the opened shoji screen. We all bowed in unison as instructed. We rose when he entered the audience hall. He too was dressed formally in a swallowtail coat. There were a few more bows as he stepped up onto the low dais. We bowed again before he began to speak. In contrast to the Grand Chamberlain, the Emperor's voice was warm, affable, and somewhat high pitched.
He maintained a gracious smile throughout. He thanked all of us for the services we had rendered in promoting friendship between our nations and Japan and wished us good fortune in our future endeavors. With those simple congratulatory words, he stepped down and smilingly passed in review before us. The opposite shoji screens noiselessly slid open. The Emperor turned at the opened screens, smiled and nodded back to us. We again bowed down in unison. When we rose up, we could see him regally walking away down the veranda.
That evening and for another day after, friends and relatives in Japan celebrated this extraordinary honor for me with every meal. They wanted to see and touch the splendid medal that I had received. One very busy friend could join me only for a late night drink after work. As he toasted me in the rooftop lounge of the Imperial Hotel overlooking Tokyo, the lights of the city seemed to be sparkling in happy celebration with us. If only my parents could have lived to share these moments with me, I thought. How complete this honor would have been.
I had to cut my stay in Tokyo short because I had a professional engagement scheduled in Honolulu, Hawaii. The location was as if it had been perfectly pre-planned - half way back from Tokyo to Los Angeles. I had been engaged to narrate Aaron Copeland's "Lincoln Portrait" with the Honolulu Symphony Orchestra on Veterans' Day Weekend at the Blaisdell Concert Hall. The concert itself seemed as if it had been perfectly pre-arranged for this Japanese American - an American note to follow a decoration from the Government of Japan. This Veterans' Day concert in Honolulu was celebrating a great American President and honoring all those throughout history who had fought for our democracy.
The singularly American music of a groundbreaking American composer with the immortal words of a great American President, Abraham Lincoln - and I had the honor of speaking them. It was one honor following another - one Japanese and this one, American. The concert with the Honolulu Symphony Orchestra was a great popular success and I received laudatory reviews. Of course, there were the Star Trek fans who crowded around the dressing room door for autographs after the concert. The flight back to Los Angeles felt like floating on the proverbial cloud nine.
My stay back in Los Angeles, however, had to be abbreviated. Two nights in my own bed and I was off again to another hotel bed - this time in Little Rock, Arkansas. It was the opening of the William Jefferson Clinton Presidential Center and Park. This is the official name of the President Bill Clinton Library. I was off to help celebrate this exciting and historic occasion.
I remembered the excitement of my flight to Bill Clinton's first inauguration back in January of 1993. We arrived in Washington D.C. to a gray, overcast sky. But, on the morning of the inauguration, the sum broke through and gave the new President from Arkansas a crisp, bright, golden inauguration. I called it, "the luck of Clinton." There was the sense of a new beginning with new ideas and new energy. There was optimism in the crisp inaugural air for the future of America.
Indeed, Bill Clinton's two-term presidency was filled with extraordinary achievements. The fresh initiatives and reforms he brought to government transformed the nation. Despite all the turbulence during his tenure, he left the nation with a surplus. Mindful of his human weaknesses, I am still a Bill Clinton admirer. He gave me the opportunity to serve on the Japan-U.S. Friendship Commission, an independent Federal agency. He invited me to my first State Dinner at the White House. Bill Clinton was the President who corrected a grievous oversight of over a half-century by honoring 19 Japanese American veterans of Word War II with the highest military recognition the nation can grant, the Medal of Honor. Among those 19 veterans is the U.S. Senator from Hawaii, Daniel Inouye, who lost his right arm on a bloody battlefield in Italy.
The Clinton Presidential Center is the repository, museum, and library of the records of his presidency. I am a part of the content of the Center and had contributed financially to the building as well. I feel I am a part of the William Jefferson Clinton Presidential Center.
I arrived in Little Rock excited as well as with a sense of history. The sky was gray and overcast - again, just as it was on his first inauguration. I assured everybody, "Don't worry. There's the luck of Clinton."
The morning of the opening of the Clinton Presidential Center was still gray and overcast. But I could see a patch of blue in the sky far to the south. Pointing it out to the people gathered for the opening, I reassured them, "Look over there. There's the luck of Clinton approaching." Alas, the tiny blue patch of sky drifted off in the opposite direction chased away by the ominously black rain clouds. Even before the program began, it started to rain. It was cold, icy rain. We were not only wet when the program began but visibly shivering under our ponchos. Then the rocker, Bono, began to sing. We didn't need to hear him howl out at us, "When the rain came, when the rain came." We knew. We were sitting in the pouring rain, wet and freezing. It got so cold we thought we were in danger of hypothermia. The four Presidents, Jimmy Carter, George H.W. Bush, George W. Bush, and Bill Clinton were yet to be introduced. It would be an extraordinary moment - four presidents all in the same place at the same time. But, we couldn't take the cold any longer. We fled back to the hotel to watch them introduced on television. The four presidents smiled bravely but we knew how uncomfortable they must have been. They were good soldiers. They all showed themselves to be extraordinary people. Their collective grace, humor, warmth, and eloquent mutual respect made us all feel proud to be Americans. The four men truly are presidential. We applauded all four U.S. Presidents from the warmth and cozy comfort of our hotel.
The gala reception the night before in the Presidential Center that preceded the opening, however, was a glittering affair. The new building glowed in celebratory lights. Fireworks exploded like exotic flowers in the darkened Arkansas sky. There were political luminaries everywhere. I spotted Leon Panetta, Joe Lockhart, and Paul Begala from the Clinton administration; George Stephanopoulos and Geraldo Rivera from the media; Howard Dean from the presidential primaries; and Jessie Jackson, former California governor, Gray Davis, and the former Mayor of Detroit, Dennis Archer were among the celebrants. It was rumored that Brad Pitt and Barbra Streisand were also there but I didn't see them. I really didn't need to see Bono to have him sing to us the coming of the rain. It was a dazzling and rainless opening reception.
The Presidential Center is a magnificent museum overlooking the Arkansas River on one side and a sensitively restored historic structure, the Old Choctaw Railroad Station, which is now the Clinton School of Public Service, on the opposite side. It also contains the library for researchers as well as the repository of the papers from the Clinton years. The William Jefferson Clinton Presidential Center is a new landmark of Little Rock and a proud center of learning and inspiration to build a better future for America.