Top Stories

An Anglophile Angelino

March, 2003

March, 2003, LOS ANGELES - Those who know me know that I am an inconvertible Anglophile - or more broadly, a Britanophile, which includes my affection for Scotland and Wales as well. I love things British. My car is British. My wardrobe, to a good extent, is British. I even love the food in London - I think British food has shaken its prevailing perception as indigestible and become quite wonderful. I try to get to Britain for holidays as often as I can. I love things British.

Only a month since I was last there on holiday, I was back in England again in February. This quick return was prompted by a most welcome invitation by convention organizer Anne Lindup to attend the Starfleet Ball in Bournemouth on the south coast of England. What a happy combination this was - a Star Trek convention in England! And what a symbolically appropriate place Bournemouth was, because it could be said that it was in this English seaside town, that our high tech world got its start. The very first wireless exchange took place from Bournemouth between the inventor, Guglielmo Marconi talking to physicist Lord Kelvin on the Isle of Wight in 1898. A bit more than a century later, Star Trek fans, armed with their 21st century wireless communication device -- the cell phone -- gathered in Bournemouth for a weekend of celebration, talks and fantasizing about the science wonders yet to come. The only damper to a super weekend was that I had caught an awful cold with a nagging cough that just wouldn't quit. I felt miserable.

It was my luck that Marina Sirtis was also a guest at the convention. She is an uncanny healer. She told me at the hotel of her secret curative - what she called "Dr. Footlights." "Get in front of the warm light of the footlights," she said, "and that miserable feeling will disappear. You'll be cured." She was so right. The minute I stepped before those bright lights to be embraced by the thunderous welcome of the fans, that wretched feeling miraculously faded. I was functional again. It was great to be with long-time fans that had now become friends. I enjoyed the talks and especially - the highlight of the convention - the Starfleet Ball itself. Everyone was dressed to celebrate. There were people clad as Starfleet officers, alien ambassadors, and other imaginative beings. The men in drag looked "divine" but rather conventionally 20th century. Only my rude coughing interrupted occasionally to remind me that I was sick. But the combination of the Starfleet Ball and "Dr. Footlights" made for a potent curative tonic.

After the convention, I went on into London for a week of theater. It was like reliving history to see the D'Oyly Carte Opera Company's production of Gilbert and Sullivan's "H.M.S. Pinafore" at the Savoy Theater. This theater and Gilbert and Sullivan are inextricably linked in theater history. Richard D'Oyly Carte, presenter of Gilbert and Sullivan's works, built the Savoy Theater in 1881 to present his productions of their operettas. I myself also have a personal history with "H.M.S. Pinafore." I had played the Captain of the Pinafore in college, a fact known by some. Thus, I was sternly cautioned to restrain myself from singing along with the performers. I did as ordered - but I manage to sing along mentally. It was a nostalgic evening of familiar tunes performed sparklingly - both on stage as well as in my mind.

It was a week of eclectic theater going that ranged from classic American comedy, "Arsenic and Old Lace," starring Michael Richards from the TV series, "Seinfeld," to an autobiographical musical by Boy George titled, "Taboo," to Shakespeare's "Tempest" with a towering performance by Derek Jacobi as Prospero. I even included an evening at the Royal Opera House in Covent Garden with Verdi's "Falstaff." A very special evening was a hilarious American comedy, "Triple Espresso," produced by my friend Dennis Babcock. He had designated one night "George Takei Night at Triple Espresso" and all my friends were admitted at half price. It was wonderful to share an evening of theater together with long-time friends as well as new fans. Freda and Colin Boydell, dedicated editors of my fan club newsletter, who live down in Cornwall at the very southwestern tip of England, astounded me with their fantastic support. They took a bus all the way into London just to see the show with us and then went back right after a post theater drink in the theater bar with us to make that same long journey back to Cornwall through the night. They had made a similar trip all the way up to Edinburgh, Scotland, when I was performing there in a play titled "Undertow." They are wonderful, devoted friends and I very much appreciate their support.

The week was capped by the opportunity to attend the Olivier Awards Show at the Lyceum Theater. This is the award show named for the great actor Sir Laurence Olivier to recognize outstanding achievements in British theater. One of the many presenters was the royalty of theater herself, Dame Judi Dench. In her inimitable way, she was, at once, elegant and natural. After the show, we visited the nearby St. Paul's Church in Covent Garden, traditionally known as the "actors' church." That reputation was certainly proved true when we spotted Judi Dench come in alone and quietly slip into a pew. She prayed calmly and undisturbed. We left silently. It was a rare and touching moment.

As much as I am an Anglophile, I am an even prouder Californian and more specifically, an Angeleno. I am a native of Los Angeles and I love my hometown. I love its dynamism, its diversity, and our incomparable climate. My English cold quickly disappeared once I got home. The welcoming sunshine was glorious. But, therein lies our drawback as well. Los Angeles is built on land that is a semi-arid desert. The one essential that makes the existence of this great metropolis, the second city of America, possible is water brought in from afar. On the last weekend of the month, I went on a journey that gave me a deeper appreciation for what we take for granted - a glass of water.

A colleague on a board on which I sit, Phil Pace, is the chairman of the Metropolitan Water District of Southern California, which provides the water for our sun parched metropolitan area. Phil invited me, together with a busload of dignitaries, on a weekend tour of the Colorado River Aqueduct system, which supplies a large portion of the water for southern California. It was an awe-inspiring experience.

We traveled all day across the southern California desert to Lake Havasu straddling the California-Arizona border. Created by Parker Dam on the Colorado River, the lake was pristine and turquoise blue. The calm water lake had transformed the red, mud-roiled water of the Colorado River. Indeed, the name of the lake, Havasu, is the Navaho Indian word for "blue water." This vast body of water is one of three sources of life for southern Californians. That night, we stayed at the lodge in a small nearby camp for the maintenance workers.

The next morning, we were taken to a great concrete building by the dam that housed the pump station. We had explained to us that the water of the lake was pumped up by the sheer might of the centrifugal force created by the row of giant impellers before us. The water was pushed up the rugged mountainside through massive pipes to a high altitude reservoir at Copper Basin. We were then driven up a winding mountain road to that facility. The reservoir was a vast basin but the water level was at about half capacity. We were visiting the aqueduct system at an historic moment. A massive inspection and repair work on the aqueduct - something that had not been done in five decades - was taking place at a cost of $8.2 million. The aqueduct and the reservoir system had been shut down and drained. Yet, the people served by the system were oblivious of this program because a new reserve reservoir, Diamond Valley Lake, was being tapped to supplement the system. It was from this high mountain reservoir at Copper Basin that the water flowed down by gravity through the aqueduct system to make its two hundred and forty-two-mile journey across desert and through mountain tunnels to serve eighteen million people from Ventura to San Diego in southern California. Our bus followed the concrete aqueduct all day across the desert. A monumental engineering achievement along the water's trek is the thirteen-mile long tunnel blasted through the San Jacinto Mountain Range, the third tallest mountain in the state, to maintain the water's flow. Our bus skirted that daunting climb up the San Jacinto range. We arrived back in Los Angeles tired but profoundly appreciative of the colossal human effort and ingenuity that make possible the shower we all looked forward to as well as the drink of ice-cold water that we so took for granted. I am today, both a proud and deeply grateful Angeleno.

Scotland Tackles Transphobia and Homophobia In Brilliant New Billboard Ads ❤️
(OneScotland)

The Scottish government has had enough of hate crimes and is moving forward with a gutsy campaign.

According to Pink News, Scotland is launching a new initiative to combat intolerance with messages respectively addressing "bigots," "disablists," "homophobes," "racists," and "transphobes" in a series of ads circulating across the country.

Each message is signed on behalf of Scotland.

Keep reading... Show less
Feminists Slam Man Telling Them They Can't Have Both Chivalry And Equality
(GettyImages)

A man on Twitter informed feminists they had to choose between chivalry and equality.

He was promptly raked over the coals for even assuming an antiquated concept would be considered as a viable option.

Keep reading... Show less
Katy Perry, P!nk, Paul McCartney And More Sign Letter Threatening To Boycott SiriusXM Radio
Photos by John Shearer-Direct Management-Christopher Polk-Gary Gershoff-WireImage

Hundreds of artists have signed a letter threatening a boycott if SiriusXM's parent company, Liberty Media, doesn't back down from opposing the Music Modernization Act.

The act, which was expected to pass through Congress, streamlines royalty payments in the new age of digital technology, but it seems SiriusXM is objecting to a small section that would have the satellite radio company paying royalties on recordings dating before 1972.

That's a whole lot of songs and a whole lot of money the company is hoping to skip out on paying, but not if stars like Paul McCartney, P!nk, Stevie Nicks, Sia, Carly Simon, Gloria Estefan, Mick Fleetwood, Don Henley, Max Martin, and Katy Perry can help it.

The letter read, in part:

I'm writing you with grave concern about SiriusXM's opposition to the Music Modernization Act (Classics Act included).

We are all aware of your company's objections and trepidation but let me say that this is an opportunity for SiriusXM to take a leadership position. As you are aware, 415 Representatives and 76 Senators have already cosponsored the MMA along with industry consensus. It's SiriusXM vs all of us. We can either fight to the bitter end or celebrate this victory together. Rather than watch bad press and ill will pile up against SiriusXM, why not come out supporting the most consequential music legislation in 109 years? We do not want to fight and boycott your company but we will as we have other opponents. Stand with us! Be brave and take credit for being the heroes who helped the MMA become historic law! Momentum is building against SiriusXM and you still have an opportunity to come out on the right side of history. We look forward to your endorsement but the fire is burning and only you can put this out.

SiriusXM resoponded with a letter of their own:

Over the past several weeks, we have been the subject of some stinging attacks from the music community and artists regarding our views on the Music Modernization Act. Contrary to new reports and letters, this is really not about a SiriusXM victory, but implementing some simple, reasonable and straightforward amendments to MMA. There is nothing in our "asks" that gut the MMA or kills the Act. So let's talk about the substance of the amendments we propose, because we truly do not understand the objections or why these concepts have incited such a holy war.ontrary to the accusations, SiriusXM has proposed three simple amendments to the MMA.

First, SiriusXM has asked that the CLASSICS Act recognize that it has already licensed all of the pre-1972 works it uses. This amendment would ensure that artists – the people who are supposed to be at the heart of the MMA – receive 50% of the monies under those existing licenses. Is that unfair? Just today, Neil Diamond wrote in the LA Times that: "I receive a small amount of songwriting royalties, but no royalties as the recording artist." How can that happen? To date, SiriusXM has paid nearly $250 million dollars in pre-'72 royalties to the record labels. We want to make sure that a fair share of the monies we have paid, and will pay, under these licenses gets to performers. Without this provision, artists may never see any of the money SiriusXM paid, and will pay, for the use of pre-1972 works. Artists not getting paid hurts our business!

Second, Sirius XM thinks that the fair standard to use in rate setting proceedings is the standard that Congress chose in 1995 and confirmed again in 1998 – which is called the 801(b) standard. However, we are willing to move the "willing buyer/willing seller" standard contained in the MMA. In exchange, we have asked for the same concession that the MMA grants to other digital music services, but we were left out of — simply that the rates that were set last year for five years now apply for ten years. We thought this was a fair compromise when we read the "new" MMA that was released this weekend by the Senate, and are willing to live by that compromise.

Third, SiriusXM is asking the simple question: "Why are we changing the rate court evidence standard for musical compositions in this legislation so that it gives another advantage to broadcasters over satellite radio and streaming services?" There is no policy rationale for this change to tilt the playing field further in their favor, and frankly no one has been able to explain it to us. It is only fair that we debate why the change to Section 114(i) is in the MMA.

Did you all catch that? It sounds like lawyer speak for "we don't really want to say where we stand."

media.giphy.com

It seems all the letters were for naught. The Music Modernization Act passed in the U.S. Senate.




It was time to celebrate and dance in the streets.









As the saying goes, honest pay for honest work.

media.giphy.com


H/T: Variety, Spin

Some Residents Of Uranus, Missouri Are Not Happy About The Name Of Their New Local Newspaper 😆
CBS Philly/YouTube, @ShirtlessKirk/Twitter

There's nothing like a good pun about human anatomy. Really gets the juices flowing!


Owners of the new Uranus Examiner must have been snickering as they announced the paper's name. Apparently, it's caused quite the controversy in the small town of Uranus, Missouri, over the last few days.

Residents are divided over whether the pun is an embarrassment or perfectly snarky:


Folks on the internet responded with maturity and composure after learning about the Uranus Examiner.

Oh, wait. No they didn't.





If you think about it... there might actually be a method to the madness here. The brand new paper's name has received widespread media coverage over this past week. Simply put... everyone's talking about Uranus.

In terms of publicizing their new venture, the owners of the Uranus Examiner have actually done a pretty sweet job!


In the video above, a woman suggests the paper should have been called "The Pulaski County Examiner."

If you ask me, that's TOTALLY BORING, and wouldn't have generated as much interest and publicity for the paper. So while the name might be cringeworthy to some, you can bet Uranus that it'll stick around. Who knows, Uranus might even grow as a result!

H/T: Indy100, The Kansas City Star